Posts Tagged ‘Stephen Sondheim’

SONDHEIM ON SONDHEIM

If you’re a Stephen Sondheim fan here in L.A., you’ve likely enjoyed Side By Side By Sondheim and/or Putting It Together, perhaps multiple times. Chances are, however, that you’ve never seen a Stephen Sondheim Revue starring none other than Steve himself (albeit on video), which is why International City Theatre’s Los Angeles Premiere of Broadway’s 2010 Sondheim On Sondheim comes as news worth trumpeting far and wide.
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WEST SIDE STORY

Candlelight Pavilion Dinner Theatre follows its multiple Scenie-winning In The Heights with that show’s half-century-earlier predecessor, the one that started it all, West Side Story, and like ITH, WSS is one of Candlelight’s finest productions to date.
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ASSASSINS

Haste is of the essence in catching Red Blanket Productions’ superb intimate stage revival of Stephen Sondheim and John Weidman’s Assassins, not simply because only weeks remain in what looks to be a sold-out run at the Pico Playhouse but because, if Actors Equity has its way, starting next June you will never again see such a 99-seat production in Los Angeles County. Ever. (More on that later.)
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ROAD SHOW


You’re unlikely to see a fully-staged local production of Stephen Sondheim and John Weidman’s twice-flopped Road Show any time soon, all the more reason for those in attendance yesterday at Musical Theatre Guild’s one-performance-only concert staged reading to count themselves lucky, particularly since the nearly fully-staged “reading” turned out quite spectacularly indeed under Richard Israel’s ever imaginative direction.
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A FUNNY THING HAPPENED ON THE WAY TO THE FORUM

The theater company whose recent reinvention of Kander & Ebb’s Cabaret for the intimate stage earned it both critical and audience raves now returns with a “downsized” staging of the Stephen Sondheim classic A Funny Thing Happened On The Way To The Forum, and the result is one of the funniest—and most ingenious—Forums ever.
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SWEENEY TODD

A cast of eighteen, ten of them members of Actors’ Equity, bring Stephen Sondheim and Hugh Wheeler’s Sweeney Todd: The Demon Barber Of Fleet Street to thrilling life on the intimate stage of North Hollywood’s Monroe Forum Theatre, a powerful reminder that should Equity’s 99-seat plan bite the dust per AEA’s wishes, productions of this size, scope, and caliber may soon be a much-mourned memory of our Los Angeles theater past.
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COMPANY

It’s been over a decade since Stephen Sondheim and George Furth’s Tony-winning Best Musical of 1970, Company, has had an L.A. (or L.A.-adjacent) big-stage revival, making its arrival at Thousand Oaks’ Cabrillo Music Theater big news indeed, particularly as directed with abundant inspiration and flair by Nick DeGruccio and performed by an all-around fabulous cast, with Cate Caplin’s imaginative choreography giving the show an added dash of pizzazz.
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INTO THE WOODS

Into The Woods is back big time, its long-awaited film adaptation joined by a couple of recent, much lauded out-of-town imports at the Old Globe and the Wallis Annenberg, community theater productions galore, and now by the supremely talented students who’ve been starring in, directing, and designing one terrific intimate revival after another at USC over the past eight years, the musical theater stars of the future who call themselves Musical Theatre Repertory.
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