Posts Tagged ‘Stephen Sondheim’

ASSASSINS

Haste is of the essence in catching Red Blanket Productions’ superb intimate stage revival of Stephen Sondheim and John Weidman’s Assassins, not simply because only weeks remain in what looks to be a sold-out run at the Pico Playhouse but because, if Actors Equity has its way, starting next June you will never again see such a 99-seat production in Los Angeles County. Ever. (More on that later.)
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ROAD SHOW


You’re unlikely to see a fully-staged local production of Stephen Sondheim and John Weidman’s twice-flopped Road Show any time soon, all the more reason for those in attendance yesterday at Musical Theatre Guild’s one-performance-only concert staged reading to count themselves lucky, particularly since the nearly fully-staged “reading” turned out quite spectacularly indeed under Richard Israel’s ever imaginative direction.
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A FUNNY THING HAPPENED ON THE WAY TO THE FORUM

The theater company whose recent reinvention of Kander & Ebb’s Cabaret for the intimate stage earned it both critical and audience raves now returns with a “downsized” staging of the Stephen Sondheim classic A Funny Thing Happened On The Way To The Forum, and the result is one of the funniest—and most ingenious—Forums ever.
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SWEENEY TODD

A cast of eighteen, ten of them members of Actors’ Equity, bring Stephen Sondheim and Hugh Wheeler’s Sweeney Todd: The Demon Barber Of Fleet Street to thrilling life on the intimate stage of North Hollywood’s Monroe Forum Theatre, a powerful reminder that should Equity’s 99-seat plan bite the dust per AEA’s wishes, productions of this size, scope, and caliber may soon be a much-mourned memory of our Los Angeles theater past.
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COMPANY

It’s been over a decade since Stephen Sondheim and George Furth’s Tony-winning Best Musical of 1970, Company, has had an L.A. (or L.A.-adjacent) big-stage revival, making its arrival at Thousand Oaks’ Cabrillo Music Theater big news indeed, particularly as directed with abundant inspiration and flair by Nick DeGruccio and performed by an all-around fabulous cast, with Cate Caplin’s imaginative choreography giving the show an added dash of pizzazz.
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INTO THE WOODS

Into The Woods is back big time, its long-awaited film adaptation joined by a couple of recent, much lauded out-of-town imports at the Old Globe and the Wallis Annenberg, community theater productions galore, and now by the supremely talented students who’ve been starring in, directing, and designing one terrific intimate revival after another at USC over the past eight years, the musical theater stars of the future who call themselves Musical Theatre Repertory.
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INTO THE WOODS

Into The Woods is back in town again, the musical’s long-awaited film adaptation’s upcoming Christmas Day opening certain to inspire more ITW revivals than have been seen locally in years and years … and leave L.A. theatergoers scratching their heads wondering which of the bunch to see.

For this reviewer, at least, the answer is simple. Head on over to Beverly Hills’ ritzy Wallis Annenberg Center For The Performing Arts to catch the Oregon Shakespeare Festival’s Summer Of 2014 smash revival, now spending the holiday season indoors at the Wallis after four SRO months under the Ashland, Oregon skies.
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PUTTING IT TOGETHER

Putting It Together, aka The Greatest Hits Of Stephen Sondheim Volume Two, has made a splendid arrival at Chromolume Theatre, the 1999 Broadway revival version of the original 1992 UK production updating 1976’s Side by Side by Sondheim with songs from S.S. shows as recent as 1990’s Assassins—news which should come as the best end-of-year gift to Sondheim lovers near and far.
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