Posts Tagged ‘Ruskin Group Theatre’

THE SUBSTANCE OF FIRE

Five years after his acclaimed star turn as Willy Loman, Rob Morrow returns to the Ruskin Group Theatre in another powerhouse role, that of Holocaust survivor-turned-New York publisher Isaac Geldhart in Jon Robin Baitz’s The Substance Of Fire, a family drama unfortunately not in the same league as Death Of A Salesman.
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A VIEW FROM THE BRIDGE


Arthur Miller and Santa Monica’s Ruskin Group Theatre once again prove a match made in heaven with A View From The Bridge, magnificently performed in an intimate staging that turns every single audience member into a fly on the wall of this gritty Greek tragedy set on the waterfront of 1950s Brooklyn.
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PICASSO AT THE LAPIN AGILE


Albert Einstein and Pablo Picasso square off to both whimsical and profound effect in Picasso At The Lapin Agile, Steve Martin’s delightful theatrical soufflé, now weaving its magic spell at the Ruskin Group Theatre.
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GUESS WHO’S COMING TO DINNER


Guess Who’s Coming To Dinner, the sensational latest from Santa Monica’s Ruskin Group Theatre, proves as relevant in 2022 as it was sixty-five years ago when Katharine Hepburn won the second of her four Best Actress Oscars in the ground-breaking Stanley Kramer movie classic.
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BAD HABITS

A nonagenarian TV legend spars with a quintet of salty-tongued singing nuns in Steve Mazur’s comedic crowd-pleaser Bad Habits, a holiday hit for Santa Monica’s Ruskin Group Theatre held over to start 2020 with a bang.
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DEATH OF A SALESMAN

A revelatory Rob Morrow heads an all-around superb cast in The Ruskin Group Theatre’s meticulously directed, stunningly performed 70th-anniversary revival of Arthur Miller’s Death Of A Salesman.
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A RAISIN IN THE SUN

Star turns you’d expect to see at the Pasadena Playhouse or the Geffen distinguish Ruskin Group Theatre’s 57th-anniversary revival of the New York Drama Critics Circle Award-winning A Raisin In The Sun, Lorraine Hansberry’s piercing look at racial discrimination, gender roles, family values, and burgeoning African-American identity—a modern American classic that remains as relevant today as it was in the pre-Civil Rights Era 1950s.
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