Posts Tagged ‘Rogue Machine Theatre’

SMOKE

Fearless only begins to describe Patrick Stafford and Emily James’ stunning performances in Kim Davies’ walk-on-the-wild-side two-hander Smoke, now running in raw, risk-taking Rogue Machine rep with the similarly single-word-titled Honky and Bull.
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BULL


Youtube videos would like bullied teens to believe “It Gets Better” once high school days are over and done. Not so in the dog-devour-dog business world of Mike Bartlett’s Bull, where it’s one pitiful runt going head to head against a pair of vicious pit bulls. Sorry, make that one pit bull and one pit bitch. Now running in rep with Rogue Machine’s Honky and Smoke, Bull makes for one devastatingly funny, mercilessly soul-shattering fifty-five minute ride.
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POCATELLO

Small lives matter in Pocatello, just as they do in all of Samuel D. Hunter’s “Idaho plays,” the latest of which now gets an impressive West Coast Premiere by the theater company that gave L.A. audiences Hunter’s equally memorable A Bright New Boise and A Permanent Image.
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LUKA’S ROOM

Leave it to Rob Mersola, the playwright who gave audiences Backseats & Bathroom Stalls and Dirty Filthy Love Story, to subvert the teenage coming-of-age tale in the most outrageously unexpected of ways in Luka’s Room, the latest Rogue Machine World Premiere and sure to be one of this summer’s most buzzed-about productions.
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A PERMANENT IMAGE

Thomas Wolfe to the contrary, you can go home again, though it takes a life-altering event for adult siblings Bo and Ally to set foot anywhere near their Idaho birthplace in A Permanent Image, Samuel D. Hunter’s 2011 journey into the dark heart of the American Northwest, now getting a superb West Coast Premiere at Rogue Machine Theatre.
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FALLING


The challenges of caring for a fully-grown, severely autistic adult child are dealt with powerfully, insightfully, and with occasional refreshing bursts of humor in Deanna Jent’s Falling, now getting a Grade-A West Coast Premiere at Rogue Machine Theatre.
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LOST GIRLS


Let’s say your most recent play has won every major Best Production award in L.A. and you’re about to head back east to star in it off-Broadway. That would be one tough act to follow, wouldn’t it?

But follow it John Pollono has with Lost Girls, a night-and-day departure from the aforementioned Small Engine Repair, but a humdinger of a play in its own right, and one whose last five minutes elevate it to a whole new level of amazing.
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