Posts Tagged ‘Rogue Machine Theatre’

FINKS

Joe McCarthy’s Communist witch hunts and the ensuing Hollywood blacklist may have seemed misty water-colored memories of sixty-year-old injustices when Joe Gilford’s Finks made its off-Broadway debut in the Obama-era early 2010s. Such is not the case a half dozen-years later, just one of many reasons not to miss its searing Los Angeles Premiere at Rogue Machine Theatre.
(read more)

OPPENHEIMER

Epic in scope. As cinematic as it is theatrical. A lesson in history and a cautionary tale for future generations. Tim Morton-Smith’s monumental bio-drama Oppenheimer is all this and a spectacular achievement for Rogue Machine Theatre in its American Premiere.
(read more)

EL NIÑO

No one mines more laughs from dysfunction than Justin Tanner, and if you don’t believe me, check out the latest from the playwright who gave the world Voice Lessons, Teen Girl, Oklahomo!, Space Therapy and more, and whose latest, El Niño, proves the perfect Rogue Machine follow-up to the darkness and depravity of Ruth Fowler’s bled for the household truth.
(read more)

bled for the household truth

If a tightly-wound New York male and a free-spirited Manchester female sharing NYC digs sounds like the latest take on Neil Simon’s The Odd Couple, think again. Ruth Fowler’s bled for the household truth may have an uncomfortable laugh every now and then, but what the Welsh playwright has up her twisted sleeve in this Rogue Machine World Premiere proves the darkest, most disturbing, and quite possibly the most compelling play in town.
(read more)

LES BLANCS

Mid-20th-century colonial Africa serves as a metaphor for the then ongoing American civil rights movement in Lorraine Hansberry’s rarely produced posthumous epic Les Blancs, a Rogue Machine revival that transcends the play’s inherent didacticism to electrifying effect.
(read more)

STILL LIFE

Questions of love and mortality propel Still Life, Alexander Dinelaris’s mostly compelling look at a couple of damaged souls with a shared belief in death’s imminent arrival, a Rogue Machine West Coast Premiere that proves most effective when centering on its two leads, stunningly portrayed by Laurie Okin and Lea Coco.
(read more)

THE SUPER VARIETY MATCH BONUS ROUND!

Playwright Deb Hiett pokes gentle fun at the Red State-Blue State divide in her undeniably hilarious, unexpectedly moving, and utterly unique World Premiere comedy The Super Variety Match Bonus Round!, the latest from Rogue Machine Theatre.
(read more)

DUTCH MASTERS

A classic setup—Hitchcock called it Strangers On A Train—is given an excitingly edgy contemporary spin in Greg Keller’s edge-of-your-seat two-hander Dutch Masters, a Rogue Machine Theatre West Coast Premiere that will keep you guessing throughout its riveting seventy-five minutes, then have you talking about what you’ve seen long after its powerful final fadeout.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »