Posts Tagged ‘Rogue Machine Theatre’

MISS LILLY GETS BONED

A 35-year-old Sunday School teacher who’s saving herself for Hugh Grant. A man who might just be the next best thing to Hugh. A child grieving his mother’s recent death. An elephant guilty of murder. A doctor given a week to tame this lethal beast. Stir in a sexually hyperactive younger sister and you’ve got Bekah Brunstetter’s latest theatrical gem, Miss Lilly Gets Boned, freshly revised from its 2010 World Premiere for its 2019 Rogue Machine West Coast debut.
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READY STEADY YETI GO

Sixth-graders reenact a local hate crime for reasons that don’t particularly make sense in David Jacobi’s Ready Steady Yeti Go, a talent showcase for its gifted 20something ensemble that would work even better with age-appropriate casting.
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FINKS

Joe McCarthy’s Communist witch hunts and the ensuing Hollywood blacklist may have seemed misty water-colored memories of sixty-year-old injustices when Joe Gilford’s Finks made its off-Broadway debut in the Obama-era early 2010s. Such is not the case a half dozen-years later, just one of many reasons not to miss its searing Los Angeles Premiere at Rogue Machine Theatre.
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OPPENHEIMER

Epic in scope. As cinematic as it is theatrical. A lesson in history and a cautionary tale for future generations. Tim Morton-Smith’s monumental bio-drama Oppenheimer is all this and a spectacular achievement for Rogue Machine Theatre in its American Premiere.
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EL NIÑO

No one mines more laughs from dysfunction than Justin Tanner, and if you don’t believe me, check out the latest from the playwright who gave the world Voice Lessons, Teen Girl, Oklahomo!, Space Therapy and more, and whose latest, El Niño, proves the perfect Rogue Machine follow-up to the darkness and depravity of Ruth Fowler’s bled for the household truth.
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bled for the household truth

If a tightly-wound New York male and a free-spirited Manchester female sharing NYC digs sounds like the latest take on Neil Simon’s The Odd Couple, think again. Ruth Fowler’s bled for the household truth may have an uncomfortable laugh every now and then, but what the Welsh playwright has up her twisted sleeve in this Rogue Machine World Premiere proves the darkest, most disturbing, and quite possibly the most compelling play in town.
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LES BLANCS

Mid-20th-century colonial Africa serves as a metaphor for the then ongoing American civil rights movement in Lorraine Hansberry’s rarely produced posthumous epic Les Blancs, a Rogue Machine revival that transcends the play’s inherent didacticism to electrifying effect.
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STILL LIFE

Questions of love and mortality propel Still Life, Alexander Dinelaris’s mostly compelling look at a couple of damaged souls with a shared belief in death’s imminent arrival, a Rogue Machine West Coast Premiere that proves most effective when centering on its two leads, stunningly portrayed by Laurie Okin and Lea Coco.
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