Posts Tagged ‘Rogue Machine Theatre’

BABY FOOT


Two addicts, one on her way out of rehab after 90 days sober, the other on his way in with a frighteningly drug-free 90-day challenge ahead of him, meet to electrifying effect in Baby Foot, Tim Venable’s gut-punchingly powerful, unexpectedly laugh-getting follow-up to last year’s stunning The Beautiful People at Rogue Machine Theatre.
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HEROES OF THE FOURTH TURNING


If the idea of spending two hours listening to Catholic conservatives inveigh against abortion, LGBT rights, and other left-wing causes sounds off-putting, think again.

There’s a reason why Will Arbery’s Heroes Of The Fourth Turning, now getting an absolutely sensational Rogue Machine Theatre Los Angeles Premiere, was a 2020 Pulitzer Prize Finalist for Drama. There’s a reason why the New York Times called it “astonishing and riveting.”
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BLUE


Award-winning L.A. stage star June Carryl proves herself a playwright to be reckoned with in Rogue Machine’s Blue, a ripped-from-today’s-headlines stunner now riveting audiences in the Matrix Theatre’s ultra-intimate Henry Murray Stage.
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COME GET MAGGIE

Rogue Machine Theatre’s World Premiere 1950s sci-fi spoof Come Get Maggie has almost everything a new original musical ought to have. It’s funny, it’s quirky, it’s clever, and it’s terrifically performed. What it lacks is an infectiously hummable score.
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LITTLE THEATRE


Justin Tanner’s ’90s-nostalgia-filled autobiographical gem Little Theatre once again showcases the prolific playwright’s gift for out-of-left-field laughs, especially when delivered by a couldn’t-be-better trio of Rogue Machine stars.
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A GREAT WILDERNESS


Idaho playwright Samuel D. Hunter tackles gay conversion therapy in his expectations-defying, cliché-free 2014 drama A Great Wilderness, the riveting latest from Rogue Machine Theatre.
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THE BEAUTIFUL PEOPLE


Tim Venable’s hot-button-issue World Premiere two-hander The Beautiful People will have you thinking and talking about the gut-punching latest from Rogue Machine long after the stage has gone dark at Melrose’s Matrix Theatre.
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ON THE OTHER HAND WE’RE HAPPY


On The Other Hand We’re Happy, Daf James’ insightful look at a British couple’s efforts to adopt, not only marks an exciting return for Rogue Machine, it’s a perfect example of a story best told, not as a movie or miniseries, but on a nearly bare stage with just three remarkable actors bringing at least twice as many characters to vivid life.
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