Posts Tagged ‘Orange County Theater Review’

RAGTIME

Well-to-do early 20th-Century White Anglo-Saxon Protestants, their less fortunate African-American fellow New Yorkers, and a gaggle of fresh-off-the-boat Eastern European immigrants collide to life-altering (and occasionally life-shattering) effect in the 1998 Tony-winning musical Ragtime, now being revived by 3-D Theatricals in a production that would do any Broadway theater proud.
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MAPLE AND VINE

If you could leave your cell phone and sushi and Facebook and lattes and 21st-Century stress behind for a trip back in time to the halcyon Leave It To Beaver mid-1950s, would you? Could you?

This is the question faced by a publishing executive and her plastic surgeon husband in Jordan Harrison’s provocative if somewhat problematic Maple And Vine, now getting a first-rate Greater Los Angeles Premiere at Orange County’s Chance Theater.
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THE TEMPEST

Illusions so mystifying that you’ll give up even trying to figure out “how they did that.” Original songs by a Rock-&-Roll Hall of Famer performed by a live R&B/Alternative Pop band. Direction that makes adjectives like “imaginative” or “ingenious” or “inspired” seem tame. Performances and production design to match. All of these combine to make Aaron Posner and Teller’s touring adaptation of William Shakespeare’s The Tempest a must-see even for those might never wish to sit through another The Tempest again.
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BEIRUT

NOT RECOMMENDED

If a two-character opposite-sex love story with no specific gay content seems a curious choice for an LGBT theater, then Theatre Out’s revival of Alan Bowne’s Beirut proves even more problematic for its dull, dated look at the AIDS crisis as seen through a heterosexual lens.
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GYPSY

RECOMMENDED

Principal performers doing pro-level work highlight One More Productions’ revival of the Broadway classic Gypsy, and despite instances of age-inappropriate casting that make it seem at times more High School Musical than Professional Production, the Arthur Laurents-Jule Styne-Stephen Sondheim classic ends up a crowd-pleaser.
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ONCE

Sometimes execution can be everything. It certainly is in the case of Once, the multiple Tony-winning Best Musical of 2012. The story and the songs are the same as those in the film on which it is based (a movie I found quite unbearable), and yet as brought to freshly inspired life on the musical theater stage, Once The Musical turns out to be one of the best, and quite possibly the most original Broadway smashes, of the past decade.
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GHOST THE MUSICAL

What do you do when the musical you’ve produced ends up flopping on The Great White Way, but has enough going for it to merit a post-Broadway National Tour?

One possible solution is to mount a cost-saving non-union tour, and hope that even without an Equity cast and budget, whatever magic brought the show to Opening Night on Broadway will somehow survive.

In the case of Ghost The Musical, now playing at Costa Mesa’s Segerstrom Center For The Arts, the magic mostly does.
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DAMN YANKEES

Few 1950s musicals have stood the test of time as well as Damn Yankees, proof positive of which can now be seen at Fullerton’s Plummer Auditorium in 3-D Theatricals’ pitch-perfect revival of the 1955 Broadway gem.
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