Posts Tagged ‘Los Angeles Theater Review’

DOGFIGHT

USC freshman Lily Castle is pure perfection opposite sophomore Terry Mullany in young River Phoenix mode in Dogfight, the Louise Lortel Award-winning Outstanding Musical of 2012 and the latest example of Musical Theatre Repertory at its student-directed, student-performed, student-designed best.
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THE LAST SHIP

Sting celebrates his working-class Northern English roots in The Last Ship, the pop superstar’s gloriously scored-and-sung new(ish) musical, now bringing Ahmanson audiences to their feet.
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RED INK

What’s been happening to print journalism since the Internet took control could drive a newspaper person crazy, or so a certain alternative press reporter discovers quite literally in Steven Leigh Morris’s brand new play Red Ink, the exciting, adventurous latest from Playwrights’ Arena.
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IT’S ONLY A PLAY

If you love live theater and the people who make it, you will absolutely adore Morgan-Wixson Theatre’s delectable latest, and even if you don’t know Ben Brantley from Ben Franklin, you’ll have a smashingly good time at Terrence McNally’s It’s Only A Play.
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NOWHERE ON THE BORDER

Playwright Carlos Lacámara puts a personal face on the hot-button issue of illegal immigration in Nowhere On The Border, a Road Theatre Company drama that works best when focusing on its odd couple of 50something adversaries.
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EARTHQUAKES IN LONDON

Epic in its scope and timeframe, intimate in its intersecting family dramas, bleak in its depiction of a world doomed by climate change, and as thrillingly theatrical as stage storytelling gets, Rogue Machine’s West Coast Premiere of Mike Bartlett’s Earthquakes In London is sure to be one of the season’s most talked-about productions.
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BAD HABITS

A nonagenarian TV legend spars with a quintet of salty-tongued singing nuns in Steve Mazur’s comedic crowd-pleaser Bad Habits, a holiday hit for Santa Monica’s Ruskin Group Theatre held over to start 2020 with a bang.
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CHARLEY’S AUNT

Effervescent performances by a pitch-perfect cast, inspired direction by a Broadway National Tour vet only just out of his teens, and a script so fresh and funny, you’d hardly guess it was written over a hundred-twenty-five years ago combine to make Glendale Centre Theatre’s in-the-round staging of Brandon Thomas’s Charley’s Aunt the year’s first bona fide comedy hit.
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