Posts Tagged ‘Los Angeles Theater Review’

THE LAST, BEST SMALL TOWN


Two families living side by side in smalltown America, their teenage offspring head-over-heels in love, and an all-seeing, all-knowing stage manager serving as our narrator. Sound familiar?

Only the town in question isn’t Grover’s Corners, New Hampshire. It’s Fillmore, California, the families are the Millers and the Gonzalezes, and the year is 2005 in John Guerra’s World Premiere wonder The Last, Best Small Town, now captivating audiences at Will Geer’s Theatricum Botanicum.
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STAND UP IF YOU’RE HERE TONIGHT

If you’re in the mood for an hour of decidedly offbeat whimsy, then John Kolvenbach’s Stand Up If You’re Here Tonight, now getting its West Coast Premiere at Atwater Village, just might be your theatrical thing. At the very least, you’ll reward its star Jim Ortlieb with much earned cheers.
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DURANG!

Christopher Durang reveals his trademark outlandishness times four at Studio/Stage this month in Mmmkay Productions and Crown City Theatre Company’s Durang!, a quartet wild and crazy Hollywood Fringe Festival one-acts, directed with pizzazz by Kristin Towers-Rowles.
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YOU’RE A GOOD MAN, CHARLIE BROWN


Lucy, Linus, Schroeder, Sally, Snoopy, and that loveable blockhead Charlie Brown have made Memorial Park their summer home in Sierra Madre Playhouse’s couldn’t-be-better outdoor production of the delightful song-and-sketch cycle You’re A Good Man, Charlie Brown.
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A MIDSUMMER NIGHT’S DREAM


A Midsummer Night’s Dream, a quarter-century tradition at Will Geer’s Theatricum Botanicum, is back for 2021, trimmed to ninety minutes and jam-packed with physical comedy and song performed by one of the finest Theatricum casts ever, most of them performing in it for the very first time.
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WAITING

Live performances have returned to the Atwater Village Theatre for the first time in over sixteen months, and though I’m not quite sure what to make of Daniel A. Olivas’s absurdist comedy Waiting, at the very least the latest Playwrights’ Arena World Premiere serves as a taste of what lies ahead.
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TAMING THE LION


1930s Hollywood lives again at Theatre 40 in Taming The Lion, Jack Rushen’s absorbing, entertaining, enlightening look back at Top 5 Box Office draw William Haines, who gave up stardom for the man he loved.
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TEVYE IN NEW YORK


If you’ve ever wondered what happened to Tevye and his family after the curtain went down on Fiddler On The Roof, Tom Dugan imagines the fabled milkman’s new life in America in Tevye In New York, a solo performance that reopens The Wallis in an open-air setting just outside the theater’s Beverly Hills digs.
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