Posts Tagged ‘Los Angeles Theater Review’

ALLEY OF MISFITS

A couple of homeless women cross paths with a mixed bag of acquaintances and strangers on Thanksgiving Eve in Barbera Ann Howard and Marjorie Lewit’s World Premiere dramedy Alley Of Misfits, itself somewhat of a mixed bag, but one whose pluses ultimately outweigh its minuses.
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PARADISE BLUE


A nightclub owner haunted by a lifetime of demons meets a woman who spells “trouble” with a capital T in Dominique Morisseau’s Paradise Blue, the kind of noir Hollywood could have made back in the late 1940s but didn’t, an explosive West Coast Premiere at the Geffen.
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HEAD OVER HEELS


In any other year, Pasadena Playhouse’s Head Over Heels would simply be a Best Production frontrunner. Arriving in November of 2021, this celebration of racial, sexual, and gender diversity set to over a dozen The Go-Go’s hits is nothing short of a theatrical miracle.
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@PLAYAZ


A trio of adult gamers face post-lockdown challenges in Dana Schwartz’s engaging World Premiere comedy @Playaz, a play so of-the-moment it seems incredible that the 2019 O’Neill Finalist was originally written pre-Covid.
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A HIT DOG WILL HOLLER


Sparks fly, terrors are confronted, and truths are revealed to powerful effect when an African-American social media activist opens her door to a stranger in the World Premiere of Inda Craig Galván’s A Hit Dog Will Holler, a Playwrights Arena/Skylight Theatre Company co-production at the Skylight.
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THE WORLD GOES ‘ROUND


Inland Valley Repertory Theatre returned to live programming on Wednesday, November 10, 2021 with a fabulous two-performance-only The World Goes ‘Round, an irresistible two-hour medley of over two dozen of Kander & Ebb’s most memorable songs.
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THE SOLDIER DREAMS & NEVER SWIM ALONE

Daniel MacIvor’s unique gifts are on display in Open Fist Theatre Company’s The Soldier Dreams and Never Swim Alone, best seen as an evening double feature to fully appreciate the Canadian playwright at his most rule-breaking and rewarding.
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AUGUST WILSON’S SEVEN GUITARS

Performances are impeccable and so is its stunning production design, but I found my mind drifting throughout much of the over three-hour-long August Wilson’s Seven Guitars at A Noise Within.
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