Posts Tagged ‘Los Angeles Theater Review’

A HIT DOG WILL HOLLER


Sparks fly, terrors are confronted, and truths are revealed to powerful effect when an African-American social media activist opens her door to a stranger in the World Premiere of Inda Craig Galván’s A Hit Dog Will Holler, a Playwrights Arena/Skylight Theatre Company co-production at the Skylight.
(read more)

THE WORLD GOES ‘ROUND


Inland Valley Repertory Theatre returned to live programming on Wednesday, November 10, 2021 with a fabulous two-performance-only The World Goes ‘Round, an irresistible two-hour medley of over two dozen of Kander & Ebb’s most memorable songs.
(read more)

THE SOLDIER DREAMS & NEVER SWIM ALONE

Daniel MacIvor’s unique gifts are on display in Open Fist Theatre Company’s The Soldier Dreams and Never Swim Alone, best seen as an evening double feature to fully appreciate the Canadian playwright at his most rule-breaking and rewarding.
(read more)

AUGUST WILSON’S SEVEN GUITARS

Performances are impeccable and so is its stunning production design, but I found my mind drifting throughout much of the over three-hour-long August Wilson’s Seven Guitars at A Noise Within.
(read more)

MAMMA MIA!


Mamma Mia! is back, live on stage in La Mirada, and even if you’re one those who saw it on Broadway (or at any time during its fifteen-plus years of touring the country) and thought “Meh,” you owe it to yourself to see how much better the international megahit can be when freed from its original Broadway direction, choreography, and design.
(read more)

THE ADDAMS FAMILY

Musical Theatre Repertory, USC’s entirely student-produced, student-directed, student-cast, student-designed troupe of multitalented Trojans is back in business after a twenty-month hiatus, and audiences lucky enough to catch their ninety-minute “quarantined concert version” of Broadway’s The Addams Family can count themselves every bit as fortunate as the student talents at long last given new opportunities to shine.
(read more)

BLUES IN THE NIGHT

A man gives three very different women plenty of reasons to sing Blues In The Night in ICT/Ebony Rep’s thrilling revival of Sheldon Epps’ Tony-nominated Broadway musical revue.
(read more)

POOR CLARE

Contemporary speak proves an ideal fit for Poor Clare, Chiara Atik’s screwball-comedy look at a 13th-century Paris Hilton who gave it all up for God and ended up a Saint.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »