Posts Tagged ‘Los Angeles Theater Review’
THE EFFECT
Saturday, May 7th, 2022
Paul Rush delivers one of the most electrifying performances I’ve seen this past year opposite a captivating, compelling Jackie Jandrell in Sixty-Six Productions’ Los Angeles Premiere of Lucy Prebble’s The Effect.
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HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING
Monday, May 2nd, 2022
After a 26-month hiatus, Musical Theater Guild returned to Glendale’s Alex Theatre on Sunday to once again do what they do best, mount a Broadway musical with just 25 hours of rehearsal, and like its pre-pandemic predecessors, How To Succeed In Business Without Really Trying succeeded in entertaining a packed house starved for MTG magic.
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MASAO AND THE BRONZE NIGHTINGALE
Monday, May 2nd, 2022Playwrights Dan Kwong and Ruben Funkahuatl Guevara have quite a tale to tell about post-WWII Little Tokyo and Boyle Heights in Masao And The Bronze Nightingale and an ethnically, culturally, linguistically diverse cast of characters to tell it with, but the World Premiere play-with-songs’ hefty three-hour running time begs the question, how much of a good thing is too much?
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HADESTOWN
Friday, April 29th, 2022
Like Rent, Spring Awakening, and Hamilton before it, Anaïs Mitchell’s Hadestown, the 2019 Tony winner for Best Musical, revitalizes the genre in the most electrifyingly original of ways.
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TOOTSIE
Wednesday, April 27th, 2022
Michael Dorsey and his female alter ego Dorothy Michaels share the Dolby Theatre stage in Tootie, the Tony-winning 2019 Broadway adaptation of the 1982 movie smash, a musical comedy as classic in concept and construction as it is contemporary in its attitudes, casting, and execution.
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LEGALLY BLONDE
Monday, April 25th, 2022Ragged around the edges but blessed with some terrific lead performances, Cupcake Theatre’s intimate revival of Broadway’s Legally Blonde would have me singing its praises even louder had the show not started thirty minutes late to accommodate walk-ins.
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A DOLL’S HOUSE, PART 2
Tuesday, April 19th, 2022Impeccably acted by a admirably diverse cast, Lucas Hnath’s A Doll’s House, Part 2 would be another all-around International City Theatre winner if its midsection didn’t get bogged down in a talky rehashing of past events.
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JANE AUSTEN UNSCRIPTED
Sunday, April 17th, 2022
Impro Theatre is back with Jane Austen Unscripted, their first in-person show in two-and-a-half years, and that means “new characters, new love stories, and new escapades” twice on Saturdays and twice on Sundays under sunny Toluca Lake skies in the Garry Marshall Theatre Garden.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.


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