Posts Tagged ‘Los Angeles Theater Review’

REMEMBERING THE FUTURE


Imagine if the person you were at age 18 could tell 58-year-old you exactly what they think of your life choices. Playwright Peter Lefcourt does precisely this in his entertaining new “existential comedy” Remembering The Future, now tantalizing audiences with “What ifs” at the Odyssey Theatre.
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THE METROMANIACS


The rhymes come fast and furious, and so do the laughs, in Theatre 40’s 2022-2023 season-opener The Metromaniacs, David Ives’ très délicieux updating of Alexis Piron’s early-18th-century French farce of a similar name.
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IF I FORGET


A long-simmering family feud fuels Steven Levinson’s hilarious and harrowing off-Broadway tragicomedy If I Forget, dazzlingly reconceived for the Fountain Theatre by director Jason Alexander.
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KING LIZ


Broadway star Sabrina Sloan sizzles as a powerhouse A-list sports agent named Liz Rico, and newcomer Evan Morris Reiser electrifies as a high school grad with NBA superstar potential, in Fernanda Coppel’s off-Broadway dramedy King Liz, now getting a largely absorbing Los Angeles Premiere at the Geffen Playhouse.
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FREESTYLE LOVE SUPREME


Rap meets improv meets R&B meets live theater at its most magical in the Tony-winning Freestyle Love Supreme, the most entertainingly original audience-participatory show you’ll see all summer.
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CLOWNFISH

Playwright Amy Dellagiarino’s script shows considerable promise, but her Theatre of NOTE World Premiere comedy Clownfish would work a whole lot better had the director reined in one particularly over-the-top performance (and those around it in the play’s frenetic midsection).
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GREASE


Contemporary casting choices bring Musical Theatre West’s 2022 Grease revival into the 21st century to crowd-delighting effect without sacrificing an iota of the show’s 1950s nostalgia.
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THE BEAUTIFUL PEOPLE


Tim Venable’s hot-button-issue World Premiere two-hander The Beautiful People will have you thinking and talking about the gut-punching latest from Rogue Machine long after the stage has gone dark at Melrose’s Matrix Theatre.
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