Posts Tagged ‘Los Angeles Theater Review’

TRAYF


Jewish teen besties find both their Orthodox convictions and their lifelong friendship tested in 1991 New York City in Lindsay Joelle’s TRAYF, the entertaining, enlightening, thought-provoking latest from The Geffen Playhouse.
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CELESTIAL EVENTS


Nineteen IAMA Theatre Company members (five writers, two directors, and twelve actors) have joined creative forces to celebrate IAMA’s return to live-and-in-person productions with Celestial Events, an engaging, entertaining World Premiere takeoff on such star-studded Hollywood fare as Valentine’s Day and Crazy, Stupid, Love.
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NEXT TO NORMAL


A gifted young director has reinvented Broadway’s Next To Normal for USC’s Musical Theatre Repertory in an all-student production blessed by a uniformly superb cast, seamlessly integrated choreography, and an electrifying lighting design.
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A GRAND NIGHT FOR SINGING

Inland Valley Repertory Theatre bids a bittersweet farewell to its longtime Claremont home with A Grand Night For Singing, a tuneful collection of Rodgers & Hammerstein songs, from Broadway classics like “Something Wonderful,” “If I Loved You,” and “I’m In Love With A Wonderful Guy” to lesser known gems like “I Know It Can Happen Again.”
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MARVIN’S ROOM


It takes a gifted playwrights to find comedy in the darkest of scenarios and a talent-blessed theater company to bring these words to pitch-perfect life, which is why Actors Co-op’s long-awaited revival of Scott McPherson’s Marvin’s Room succeeds in evoking abundant laughter through well-earned tears, with an emphasis on the former.
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A LITTLE NIGHT MUSIC


A splendid cast, innovative direction, the most gorgeous costumes in town, and Stephen Sondheim at his most sublime are just several of the reasons to celebrate Knot Free Productions’ intimate staging of the rarely revived A Little Night Music at Greenway Court Theatre.
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ASSASSINS


Presidential killers and would-be killers take center stage at East West Players in Assassins, Stephen Sondheim at his most provocative, innovative, and engrossing.
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ALL’S WELL THAT ENDS WELL


All’s Well That Ends Well might be Shakespeare’s most quoted title, but it’s not often theatergoers get to see the play itself performed live on stage, just one reason A Noise Within’s Spring 2022 season opener is one that no L.A. Bardophile will want to miss.
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