Posts Tagged ‘Los Angeles Theater Review’
HAIRSPRAY
Saturday, August 31st, 2013
Among the many reasons to catch Glendale Centre Theatre’s just-opened production of Hairspray (including a pair of sensational lead performances), there’s one that tops them all—the chance to see “Broadway’s Big Fat Musical Comedy Hit” in the round.
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CITY OF ANGELS
Monday, August 26th, 2013
They said it couldn’t be done, but Musical Theatre West went and did it—gave a sold-out house Broadway’s Tony-winning Best Musical of 1989 City Of Angels in concert staged reading form (i.e., without the design elements so much a part of its Broadway and post-Broadway success), and come out with a winner—and all with a mere twenty-five hours of rehearsal.
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IN THE NEXT ROOM (or the vibrator play)
Sunday, August 25th, 2013
Debuting its new home at North Hollywood’s Secret Rose Theatre, L.A.’s award-winning The Production Company opens its seventh season with a sparkling Los Angeles Intimate Stage Premiere of Sarah Ruhl’s delightful, provocative, ultimately uplifting In The Next Room (or the vibrator play), a 2010 Best Play Tony nominee and one that more than matches Ruhl’s previous The Clean House, Dead Man’s Cell Phone, and Eurydice in quirky originality and charm.
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RED
Sunday, August 25th, 2013
Following its six 2010 Tony wins (including Best Play), John Logan’s Red now gets its very first from-the-ground-up Los Angeles-area staging at Long Beach’s International City Theatre, and what a splendid production ICT has mounted under the astute, nuanced direction of its Artistic Director caryn desai.
RAPTURE, BLISTER, BURN
Friday, August 23rd, 2013
Pulitzer Prize-nominated playwright Gina Gionfriddo examines the changing roles of women from the pre-Betty Friedan 1950s to the post-post-Feminist now in Rapture, Blister, Burn—and if this sounds like a potentially dry (i.e. boring) way to spend a night at the theater, think again. I haven’t had a more exhilarating time with four fabulous women and one not-so-fabulous man in I don’t know how long.
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A BRIGHT ROOM CALLED DAY
Monday, August 19th, 2013
Director Jeremy Lelliott works wonders with Tony Kushner’s A Bright Room Called Day, turning a play that in other hands might seem stuffy or talky or dated into an exciting, utterly relevant evening of theater.
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eve2
Friday, August 16th, 2013NOT RECOMMENDED
Playwright Susan Rubin experiments with the surreal in eve2, an avant-garde one-act that left me scratching my head in bewilderment.
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THE KITCHEN WITCHES
Thursday, August 15th, 2013
A pair of lifelong best enemies catfight it out on the set of a community access cable TV cooking show in Caroline Smith’s entertaining if minor comedy The Kitchen Witches, now playing at San Pedro’s Little Fish Theatre.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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