Posts Tagged ‘Los Angeles Theater Review’
AH, WILDERNESS!
Sunday, September 15th, 2013
A quarter century before Eugene O’Neill’s deep dark look at a fictionalized version of his drug-and-alcohol-addicted family, Long Day’s Journey Into Night, first opened on Broadway, the soon-to-be Nobel laureate treated 1933 New York theatergoers to an idealized vision of that same family in his one-and-only comedy Ah, Wilderness!
Now, a year after its multiple-Scenie-winning revival of Long Day’s Journey, Actors Co-op introduces its audiences to the Millers (a lighter, brighter version of the O’Neills/Jeromes), and what a delightful, beautifully staged and acted production the Co-op has come up with.
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I LOVE YOU, YOU’RE PERFECT, NOW CHANGE
Friday, September 13th, 2013
Men may be from Mars and Women from Venus, but the twain do meet … and fall head over heels … and then decide it’s time to fix each other’s flaws in I Love You, You’re Perfect, Now Change, Joe DiPietro and Jimmy Roberts’ smash off-Broadway musical revue, now getting a sparklingly performed 17th Anniversary revival at North Hollywood’s Crown City Theatre.
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STEEL MAGNOLIAS
Thursday, September 12th, 2013
You may have seen Steel Magnolias before, either on stage or on film, but you’ve never seen magnolias of steel quite like the six women now lighting up the stage at East West Players’ David Henry Hwang Theater. Robert Harling’s now iconic Southern belles are Asian-American this time round, their ethnicity adding new shadings to this sextet of women whose delicate exteriors mask tough-as-nails cores.
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bare a rock musical
Saturday, September 7th, 2013
A Catholic high school is hardly the most welcoming environment for two boys to fall in love, especially when one of them is deeply conflicted about his sexuality, as Jon Hartmere and Damon Intrabartolo’s bare made heartbreaking clear in its 2000 World Premiere at the Hudson Mainstage Theater.
Now, thirteen years later, glory|struck productions brings bare back to the city of its birth in an exciting revival that could easily turn into the season’s biggest intimate musical smash.
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THE DREAM OF THE BURNING BOY
Friday, September 6th, 2013
There are as many shades of grief as there are survivors in David West Read’s powerful The Dream Of The Burning Boy, now getting its West Coast Premiere at Malibu Playhouse in a production that easily rivals the best of L.A.’s higher-profile 99-seat houses.
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PROMETHEUS BOUND
Thursday, September 5th, 2013NOT RECOMMENDED
There are a number of reasons to spend a September evening out in Pacific Palisades where the Getty Villa* is presenting its annual classic theater offering, the least of which is the play itself, for despite intense, committed performances, innovative design, and a couldn’t-be-better setting, Prometheus Bound remains that most acquired of tastes, Greek Tragedy.
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SHERLOCK THROUGH THE LOOKING GLASS
Monday, September 2nd, 2013
The world’s greatest detective meets the author of Alice of Wonderland in Gus Krieger’s Sherlock Through The Looking Glass, the latest from The Porters Of Hellsgate, and if Krieger’s play could stand some trimming, tightening, and clarifying, topnotch performances and exciting staging combine to further solidify the Porters’ reputation as one of L.A.’s most exciting young acting troupes.
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THE ARCTIC CIRCLE (and a recipe for Swedish pancakes)/THE MATADOR
Sunday, September 1st, 2013
Whimsy and more than a touch of the surreal link an entertaining pair of one-acts now getting their West Coast Premieres at Studio/Stage, both of them penned by members of The Playwright’s Lab @ Hollins University in Roanoke, Virginia.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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