Posts Tagged ‘Los Angeles Theater Review’
LET’S MISBEHAVE: THE MUSIC AND LYRICS OF COLE PORTER
Saturday, January 25th, 2014
Take three of Southern California’s most talented musical theater performers, then add three-dozen or so Cole Porter songs linked together by an ingenious book, and you’ve got Patrick Young and Karin Bowersock’s Let’s Misbehave, a brand spanking new Cole Porter musical now getting a sparkling California Premiere at Long Beach’s International City Theatre.
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MERRILY WE ROLL ALONG
Friday, January 24th, 2014
Stephen Sondheim and George Furth’s Merrily We Roll Along once again proves, as has virtually ever other Musical Theatre Repertory offering reviewed here since Sunday In The Park With George six years ago, that a blackbox production entirely directed, designed, and performed by college students can easily rival the best of 99-seat-plan Los Angeles theater, that is if the students involved are part of USC’s illustrious School Of Dramatic Arts.
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THE ODD COUPLE (FEMALE VERSION)
Monday, January 20th, 2014
Oscar becomes “Olive” and Felix “Florence” as the classic Neil Simon comedy The Odd Couple takes on a distinctively distaff tone at Santa Monica’s Morgan-Wixson Theatre in a production of The Odd Couple (Female Version) so all-around topnotch, you’ll be asking yourself, “Can this possibly be community theater?”
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AN IDEAL HUSBAND
Sunday, January 19th, 2014
Classical theater fans impatient for the start of A Noise Within’s Spring 2014 season need head a mere five minutes east of ANW’s Pasadena digs to catch Sierra Madre Playhouse’s 2014 opener, an impeccably staged and acted revival of Oscar Wilde’s An Ideal Husband.
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DAY TRADER
Saturday, January 18th, 2014
Expect the unexpected, and then some, in Eric Rudnick’s edgy, twist-filled Day Trader, thrillingly staged and terrifically acted in its World Premiere production at the Bootleg Theatre.
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BECKY’S NEW CAR
Sunday, January 12th, 2014
“When a woman says she wants new shoes, what she really wants is a new job. When she says she wants a new house, what she really wants is a new husband. And when she says she wants a new car, what she really wants is a new life.”
Imparting these words of wisdom is Rebecca (Becky) Foster, middle-aged wife and mother and the title character of Steven Dietz’s Becky’s New Car, Kentwood Players’ terrific 2014 opener at the Westchester Playhouse.
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THE BEST LITTLE WHOREHOUSE IN TEXAS
Sunday, January 12th, 2014RECOMMENDED
A terrific ensemble of Southern California triple threats and John Vaughan’s pizzazzy choreography are the best reasons to catch Candlelight Pavilion Dinner Theatre’s revival of 1978’s The Best Little Whorehouse In Texas, a Broadway smash that begs the question, how did this mostly forgettable musical end up running a whopping 1,584 performances on Broadway?
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HERSHEY FELDER IN ABE LINCOLN’S PIANO
Friday, January 10th, 2014NOT RECOMMENDED
Hershey Felder is back at the Geffen with his latest one-man show, Hershey Felder In Abe Lincoln’s Piano, and though Felder does treat the audience to a bit of Gershwin’s Rhapsody In Blue, unlike the smash hit Hershey Felder As George Gershwin Alone, the maestro’s latest may prove a hard sell to all but Felder fanatics.
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