Posts Tagged ‘Los Angeles Theater Review’

PARFUMERIE


Sworn enemies remain blissfully clueless that the (e)mail friend each has fallen head over heels for (without ever having laid eyes on him/her) is none other than the one person on earth he/she simply can’t abide. It’s a formula that worked to perfection for James Stewart and Margaret Sullavan in The Shop Around The Corner, for Mickey Rooney and Judy Garland in In The Good Old Summertime, for Daniel Massey and Barbara Cook in She Loves Me, and most recently for Tom Hanks and Meg Ryan in You’ve Got Mail. And it works once again to perfection for Eddie Kaye Thomas and Deborah Ann Woll in Parfumerie, the play that started it all back in Hungary some 76 years ago, and is now the irresistible inaugural season opener of Beverly Hills’ brand new Wallis Annenberg Center For The Performing Arts.
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A CHRISTMAS CAROL


It wouldn’t be December without Christmas carols or Charles Dickens’ A Christmas Carol, and Zombie Joe’s Underground Theatre Group’s latest gives Los Angeles theatergoers both in just under an hour and performed with such Zombie Joe flair that it’s hard to imagine even Christmas Carol haters not falling for this show. As for those with more traditional tastes, there’s more than enough authentic Dickens to have you leaving Zombie Joe’s Underground with a smile on your face and maybe even the traces of a few tears on your cheeks.
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CHRISTMAS 2

RECOMMENDED
The laughs come fast and furious in SkyPilot Theatre Company’s Christmas 2, however Jeff Goode’s latest will need some pruning, tightening, and polishing if it’s going to have nearly the afterlife of his smash hit The Eight: Reindeer Monologues.
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THE FACE, Behind The Face, behind the face


Musical theater performer Anthony Gruppuso takes a look at an actor’s life—and his own in particular—in his entertaining, gorgeously sung one-man show THE FACE, Behind The Face, behind the face, playing this weekend only at Theatre West.
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DALLAS NON-STOP


The age-old tale of a small-town girl with big-city dreams gets retold with Filipino tang in Boni B. Alvarez’s bittersweet romcom Dallas Non-Stop, the crowd-pleasing latest from Playwrights’ Arena.
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LITTLE ME


It takes directorial brilliance (and balls) to take a Broadway show with a cast of thirty-six playing more than three dozen roles and stage it with a mere nine performers and no set design other than one comfy armchair and pull it off, but pull it off director David Lamoureux and his cast of nine did on Sunday as Musical Theatre West opened its Reiner Reading Series’ fourth season with the 1962 Broadway gem Little Me.
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A PERFECT LIKENESS

RECOMMENDED
Writer-director Daniel Rover Singer imagines a ninety-minute meeting between Charles Dickens and Lewis Carroll in the World Premiere of A Perfect Likeness, now playing at South Pasadena’s Fremont Centre Theatre, and despite bravura performances by Bruce Ladd and Daniel J. Roberts, I must confess to having found Singer’s play rather too talky for my tastes and not nearly as appealing and engaging as its unanimous rave reviews had led me to expect.
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IN THE HEIGHTS


Usnavi, Vanessa, Benny, Nina, Sonny, Daniela, Piragua Man, and all the colorful Washington Heights locals of Lin-Manuel Miranda and Quiara Alegria Hudes’ In The Heights are back in the Heights (Boyle Heights that is) as Teatro Nuevos Horizontes’ multiple Scenie-winning production of the 2008 Broadway hit returns for this year’s holiday season with four of its original stars intact and many of its new principal players living up to memories of last year’s all-around phenomenal leads.
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