Posts Tagged ‘Los Angeles Theater Review’
OTHER DESERT CITIES
Saturday, June 7th, 2014
Jon Robin Baitz’s Other Desert Cities, one of the best written, most thought-provoking, and ultimately most moving plays of the last decade, now arrives at Long Beach’s International City Theatre in a production that no lover of contemporary drama will want to miss.
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DATES AND NUTS
Friday, June 6th, 2014
Eve wants nothing more from a man than “a small commitment that will eventually turn into marriage.” Is that too much for a girl to ask?
Such is the conundrum of the 30something heroine of Dates And Nuts, Gary Lennon’s hilarious romantic comedy now getting its West Coast Premiere at Bootleg Theater nineteen years after it debuted at New York City’s now-defunct Theater Off Park.
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BACKYARD
Monday, June 2nd, 2014
Some teenagers turn to sex. Others turn to drugs. Still others turn to rock ‘n’ roll. The teenagers in Mickey Birnbaum’s violent but exhilarating Backyard turn to wrestling, and so too do the adults in their lives.
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DORIAN’S DESCENT
Saturday, May 31st, 2014NOT RECOMMENDED
A quartet of stellar performers, a gifted composer/musical director, and L.A.’s costume designer du jour at his most over-the-top fabulous can’t, unfortunately, save the Oscar Wilde-based World Premiere musical Dorian’s Descent from descending into three hours’ worth of clichéd dialog and lyrics, jarring tonal shifts, and good intentions gone disastrously bad.
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DEATH OF THE AUTHOR
Friday, May 30th, 2014
An accusation of plagiarism is but the opening shot in Death Of The Author, Steven Drukman’s academia-set World Premiere drama that unfolds like an edge-of-your-seat suspense-thriller from its “gotcha” hook to the unexpectedly satisfying way Drukman manages to tie the whole thing up some ninety minutes later.
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GRUESOME PLAYGROUND INJURIES
Tuesday, May 27th, 2014
A series of Gruesome Playground Injuries (and other assorted wounds, both external and internal) provide the ties that bind two wounded souls from ages eight to thirty-eight in Rajiv Joseph’s aptly-titled Gruesome Playground Injuries, an imperfect play turned into a powerful theatrical experience thanks to the kind of superb performances, direction, and design that have become the hallmark of Rogue Machine.
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THE GONDOLIERS
Saturday, May 24th, 2014NOT RECOMMENDED
Gorgeous voices fill the stage at the Sierra Madre Playhouse but that’s about all there is to recommend in Alison Eliel-Kalmus’s adaptation of Gilbert & Sullivan’s The Gondoliers. Though G&S fans may find the production more interest-piquing than this reviewer did, SMP’s follow-up to 2012’s Ruddigore could benefit from a tighter directorial hand, less “director’s concept,” and a stricter adherence to the operetta’s original book.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.


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