Posts Tagged ‘Los Angeles Theater Review’

INTO THE WOODS

Into The Woods is back in town again, the musical’s long-awaited film adaptation’s upcoming Christmas Day opening certain to inspire more ITW revivals than have been seen locally in years and years … and leave L.A. theatergoers scratching their heads wondering which of the bunch to see.

For this reviewer, at least, the answer is simple. Head on over to Beverly Hills’ ritzy Wallis Annenberg Center For The Performing Arts to catch the Oregon Shakespeare Festival’s Summer Of 2014 smash revival, now spending the holiday season indoors at the Wallis after four SRO months under the Ashland, Oregon skies.
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BUS STOP

Little Fish Theatre does everything right in their pitch-perfect revival of William Inge’s Bus Stop, the finest of the dozen-and-a-half productions I’ve reviewed at San Pedro’s little gem of a theater, and one absolutely worth a drive down Port Of Los Angeles way.
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SERIAL KILLER BARBIE

The season’s brightest, bounciest, and most crowd-pleasing musical surprise turns out to be Colette Freedman and Nickella Moschetti’s Serial Killer Barbie, hardly the splatter fest its catchy albeit misleading title might suggest, but a show that anyone who’s gone through the 12 rounds that are Elementary, Middle, and High School can identify with and cheer.
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FLARE PATH

A dashing English WWII fighter pilot. A handsome Hollywood film star. The pilot’s actress wife who loves them both. Could any triangle be more ripe for romantic drama than the threesome at the heart of Terence Rattigan’s 1942 stage hit Flare Path, rescued from obscurity by a 2011 West End revival and now being given a spiffy, seven-decades-awaited Los Angeles Premiere by Beverly Hills’ Theatre 40?
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STEEL PIER

Though I’d be hard pressed to pick just one of the fifty concert staged readings reviewed here as the Absolute Best Concert Staged Reading Ever, I can’t recall a more spectacularly staged “reading” of a Broadway musical than last night’s Reiner Reading Series staging of Kander & Ebb’s Steel Pier.
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VOX LUMIERE–THE PHANTOM OF THE OPERA

A 1920s silent movie classic + 21st-century techno-punk-rock with an operatic twist + some of the most exciting contemporary dance moves you’re likely to see on a Los Angeles theater stage = Vox Lumiere–The Phantom of the Opera, Kevin Saunders Hayes’ latest thrilling mash-up of all of the above.
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a SILVER LINING

Anyone with a yen for interactive theater at its time-travelingest need only head on over to L.A.’s downtown Arts District this week for as unique a theatrical adventure as you’re likely to experience any time soon in a Silver Lining (the uncapitalized “a” is part of its title), the latest from A Working Theatre.
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TRIUMPH OF LOVE

Frothy Broadway musical comedy romps don’t get any frothier than the frothy Broadway musical comedy romp Triumph Of Love, a fact made amply clear last night by Musical Theatre Guild’s one-performance-only concert staged reading of the 1997 gem.
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