Posts Tagged ‘Los Angeles Theater Review’

HELL’S KITCHEN


Coming of age has rarely been brought to life on the musical theater stage as movingly or exhilaratingly as it is in Alicia Keys’ Hell’s Kitchen, now bringing L.A. audiences to their feet at the Hollywood Pantages Theatre.
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LIMONADE TOUS LES JOURS: A PARIS LOVE STORY

Love is in the Parisian air at Santa Monica’s City Garage Theatre in Limonade Tous Les Jours: A Paris Love Story, Charles Mee’s wisp of a mai-décembre romance between a 50something American and une jolie francaise less than half his age.
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AIN’T MISBEHAVIN’


The “joint is jumpin’” like “nobody’s bizness” at the Nate Holden Performing Arts Center now that Ain’t Misbehavin’ has set up shop there to gift L.A. audiences with a bona fide entertainment bonanza.
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ASCENT


Henry Ong pays long overdue tribute to Qian Xuese, aka the “Father of Chinese Rocketry,” in Ascent, the much-missed playwright’s look back at not just one of the ugliest pages in American history but one with unmistakable parallels to today’s United States, brought to stunning life at the Skylight Theatre by director-dramaturg Diana Wyenn.
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BRIGADOON


Alan J. Lerner and Frederick Loewe’s Brigadoon gets a long overdue makeover at the Pasadena Playhouse, one that updates Lerner’s creaky book while not changing a note of the musical theater classic’ gorgeous score, and the result is the most glorious of revivals.
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ANTIGONE


Playwright Kenneth Cavander dusts the cobwebs off Sophocles’ Antigone in his contemporary adaptation of the 2500-year-old Greek tragedy … and the result is yet another Antaeus Theatre Company winner.

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LITTLE SHOP OF HORRORS


I’ve attended a whopping sixteen productions of the iconic horror comedy rock musical Little Shop Of Horrors, but seeing it “dancified” at the Lineage Performing Arts Center made me feel I was experiencing the off-Broadway camp classic for the very first time.
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EXIT THE KING

Unless you are a huge fan of existentialist theater, you’ll probably find A Noise Within’s revival of Eugene Ionesco’s absurdist comedy Exit The King a very long hour and forty-five minutes.
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