Posts Tagged ‘Los Angeles Theater Review’

CATCH ME IF YOU CAN


Teen con artist Frank Abagnale, Jr. is back in action and once again scamming his way across the country in the Colony Theatre’s exuberant, crowd-pleasing revival of the 2011 Broadway musical based on Steven Spielberg’s popular 2002 biopic.
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MARISOL

I can’t fault the talent that’s gone into bringing Open Fist Theatre’s revival of José Rivera’s Obie-winning Marisol to nightmarish life, but I found the Puerto Rican playwright’s vision of a dystopian New York City under siege almost as torturous to sit through as the unrelenting, apocalyptic horrors its titular heroine has to endure in scene after excruciating scene.
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THE VISIT


How far would you go if someone offered you an outrageous sum of money on one condition? And if you were willing to go that far, how would you rationalize your decision to do the unthinkable? These are the questions at the heart of Friedrich Dürrenmatt’s The Visit, now being revived at the Pasadena Playhouse in a production so spectacular, you’d think you were seeing it on Broadway.
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TEXAS SODOMY

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“There’s a black man with a gun in Apartment 833 of the Colorado Club Apartments acting crazy.” It’s that single brief 911 phone call that sets the ball rolling in Texas Sodomy, Howard Skora’s wildly entertaining, fact-based look back at the second-most groundbreaking Supreme Court decision in LGBTQ+ history.
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THE TRAIL TO OREGON


Western Expansion has rarely been as fraught with fun, frolic, and fantasy (not to mention music, dance, and audience participation) as it is in The Trail To Oregon!, the irresistibly entertaining guest production now rib-tickling audiences at the Wisteria Theatre.
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WATER FOR ELEPHANTS

Death-defying aerial performances and breathtaking acrobatic feats, stunning animal puppetry, and forbidden love at its most forbidden, Water For Elephants, now dazzling Pantages Theatre audiences, has them all.
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THE PEOPLE OF POMPEII

All bets are off when a sextet of native and transplanted Topangans get together for a couples’ dinner in the aftermath of the Palisades Fire in Bernardo Cubría’s The People Of Pompeii, as laugh-out-loud funny as it is deeply perceptive of the political, economic, and social divides that polarize us and the humanity that binds us together.
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THE ARSONISTS

Max Frisch’s 1950s absurdist gem The Arsonists gets a strikingly staged and marvelously performed 21st-century update at the Skylight Theatre that welcomes to the L.A. theater scene an exciting new collective appropriately called The Firebugs.
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