Posts Tagged ‘Los Angeles Theater Review’
THE IDIOT BOX
Monday, June 1st, 2015
If you could live your life in sitcom land and just forget about war, poverty, homelessness, and the complexities of human sexuality, would you?
Playwright Michael Elyanow poses this question in his very funny, very smart The Idiot Box, back for only its second L.A. production ever, and a highly entertaining one at that as staged by Theatre 68 at the NoHo Arts Center.
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THE HOUSE OF YES
Saturday, May 30th, 2015
Siblings don’t get any more twincestuous than Anthony and Jackie-O Pascal, the brother-sister protagonists of Wendy MacLeod’s delectably dark The House Of Yes, back for a terrifically acted 25th-anniversary revival at the Zephyr on Melrose.
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SPRING AWAKENING
Friday, May 29th, 2015
Deaf West’s smash revisal of the Broadway musical hit Spring Awakening has transferred from its Fall 2014 run in the heart of Skid Row to glamorous Beverly Hills, one of the most noteworthy success stories of Los Angeles’s endangered 99-Seat Theatre Plan … and mark my words. You won’t see direction more brilliant nor a cast more gifted nor a production more awe-inspiring than the one now playing at the Wallis Annenberg Center For The Performing Arts.
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ENTROPY
Monday, May 25th, 2015
It cost Warner Brothers a hundred million dollars to make Gravity. It’s probably cost Theatre Of NOTE one or two ten-thousandths of that to stage Entropy, and believe me, the latest from NOTE is a lot more fun than that Oscar-winning Alfonso Cuarón flick. A whole lot more fun.
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ENRON
Sunday, May 24th, 2015
Enron, once the most audacious of America’s Fortune 500 high-rollers, comes to life (and death) with thrilling theatrical audacity as The Production Company returns to L.A.’s 99-seat theater scene with the Los Angeles Premiere of Lucy Prebble’s 2009 West End smash Enron.
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THE WOODSMAN
Friday, May 22nd, 2015
Playwright Steven Fechter puts a human face on that most reviled of sex offenders, the convicted child molester, in The Woodsman, the powerful latest from Coeurage Theatre Company and a production sure to generate both thought and discussion long after curtain-call applause has died.
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EVITA
Monday, May 18th, 2015
A Buenos Aires movie audience’s enjoyment of the latest 1952 film hit is interrupted by an announcement that Eva Perón, “the spiritual leader of the nation, has entered immortality.” There are screams and sobs, movie patrons grab each other for support.
Eva Peron may have just died … again, but her legend lives on as Candlelight Pavilion Dinner Theatre offers its audiences a solid revival of Andrew Lloyd Webber and Tim Rice’s 1979 Broadway smash Evita.
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AMERICAN IDIOT
Sunday, May 17th, 2015
glory|struck productions, who gave Los Angeles the Scenie-winning one-two punch of Spring Awakening In Concert and bare a rock musical, are back in town with what is likely to prove the musical theater event of the season, a head-bangingly thrilling Green Day’s American Idiot brought to surround-sound and surround-sight life in the Downtown L.A. Arts District warehouse provocatively dubbed The Vortex.
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