Posts Tagged ‘Los Angeles Theater Review’

PATTERNS

RECOMMENDED

Topnotch lead performances and a “plus ça change” fascination make James Reach’s Patterns, the stage adaptation of a Rod Serling screenplay set in the dog-eat-dog world of 1950s American big business, worth a look-see at Beverly Hills’ Theatre 40 despite an overlong running time and a so-so supporting cast.

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LOMBARDI

Vince Lombardi—coach, husband, father, man—comes to emotionally resonant life in Lombardi, Eric Simonson’s powerful 2010 Broadway biodrama whose terrific West Coast Premiere at North Hollywood’s The Group Rep might turn even sports-hating theatergoers into football buffs. It certainly made a Lombardi fan out of me.
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GREEN GROW THE LILACS

Theatricum Botanicum revives a Golden-Era theatrical gem in a production worth a whole heap of whoopin’ and hollerin’ … but before I go ahead and name it, here’s a question for all you theater lovers out there.

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GHOST LIGHT

NOT RECOMMENDED

Deborah Puette is luminous, but the four vignettes that comprise Tommy Smith’s Ghost Light add up to a rather low-wattage half-hour solo show.
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NO HOMO

RECOMMENDED

The 2014 Hollywood Fringe Festival hit NO HOMO now gets the fully-staged production I put on my wish list when writing about Brandon Baruch’s hilarious bromcom last year. It also gets a new ending likely to disappoint if not downright infuriate those like this reviewer who fell unreservedly in love with NO HOMO 1.0.
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ALWAYS … PATSY CLINE

Cori Cable Kidder delivers a star-making performance as country music legend Patsy Cline in Sierra Madre Playhouse’s season-opening revival of Ted Swindley’s Always … Patsy Cline, easily one of the newly revitalized Playhouse’s best productions ever.
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THE FABULOUS LIPITONES

RECOMMENDED

Barbershop harmonies, sitcom-ready jokes, and a savory dollop of Bollywood spice make The Fabulous Lipitones’ California Premiere a pleasant bit of midsummer fluff likely to please (if not rejuvenate) the Colony Theatre’s longtime subscriber base.
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DOWN THE ROAD

RECOMMENDED

Chaz Bono’s bravura performance as a serial killer incarcerated for life is the best reason to catch Lee Blessing’s gripping if frustrating Down The Road, now playing at Hollywood’s Lounge Theatre.
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