Posts Tagged ‘Los Angeles Theater Review’

DOUBLE DOOR

No matter who your favorite TV soap villainess might be, she could learn a thing or two from the selfish, conniving, ruthless monster created way back in 1931 by Elizabeth McFadden for her suspense melodrama Double Door, now deliciously revived for a 21st-century audience at Beverly Hills’ Theatre 40.
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WE ARE THE TIGERS

Bring It On meets Scream in Rebekah M. Allen’s We Are The Tigers, a genre-bending, rule-breaking new musical which, while not yet ready for off-Broadway, features engaging characters, catchy songs, and sensational performances that make its World Premiere run at the Hudson Backstage an entertaining Halloween season treat.
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SOMETHING TRULY MONSTROUS

NOT RECOMMENDED

Even the best efforts of the finest theaters can misfire, although given The Blank Theatre’s stellar track record, I wasn’t expecting to find Jeff Tabnick’s Something Truly Monstrous such a disappointment.
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CARRIE The Killer Musical Experience


You don’t have to travel to NYC to see CARRIE The Killer Musical Experience on Broadway, not now that director Brady Schwind’s multiple Scenie-winning*, thrillingly audience-immersive Carrie has reopened at the historic Los Angeles Theater at 615 S. Broadway … smack dab in the middle of DTLA.
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LOBBY HERO

Jeremy Luke’s tour-de-force performance as lovable lug Jeff anchors Theatre 68’s thoroughly winning revival of Lobby Hero, Kenneth Longeran’s coming-of-age-in-four-nights comedy that held me spellbound for over two-and-a-half hours.
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[title of show]

A hit Broadway show performed in the intimacy of a living-room for a lucky thirty invited guests is what the talented students of USC’s Musical Theatre Repertory are offering audiences in their 11th-season opener, [title of show], and it’s hard to imagine a better show to put on for friends and family than the 2004 Broadway gem, one which could easily have started its life in the living rooms of its writer-performers Jeff Bowen (music and lyrics) and Hunter Bell (book) and works every bit as well in USC Hillel’s “living room” as in a more traditionally theatrical setting.
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IN LOVE AND WARCRAFT

Playwright Madhuri Shekar updates a genre at least as old as Shakespeare, sets it in today’s world of online gaming, and populates it with an appealing college-age cast to give live theater audiences a delightful, mostly successful romcom for the 21st century in In Love And Warcraft, the latest from the Asian-American troupe Artists At Play (in association with The Latino Theater Company).
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SEVEN SPOTS ON THE SUN

A brutal civil war’s effects on the lives and psyches of the residents of a pair of neighboring Latin American villages gets examined—and grippingly so—in Martín Zimmerman’s gut-wrenchingly powerful Seven Spots On The Sun, now being given the kind of West Coast Premiere at Pasadena’s The Theatre @ Boston Court that most young playwrights can only dream of.
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