Posts Tagged ‘Los Angeles Theater Review’

FRIENDS IN TRANSIENT PLACES

A planeload of passengers jetting from New York to L.A. transports playwright Jonathan Caren into Sarah Ruhl territory in Friends In Transient Places, Caren’s experiment in magic realism that, while it may not have you glued to the edge of your seat as did his The Recommendation and Need To Know, offers its own unique pleasures.
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THE IMAGINARY INVALID

Whether you’re a Mel Brooks/Monty Python fan who would never even consider setting foot in “California’s Home For The Classics” or a diehard Molière aficionado who can’t possibly imagine passing up a fresh new adaptation of the 343-year-old Le Malade Imaginaire, Constance Congdon’s 21st-century take on The Imaginary Invalid treats A Noise Within audiences to a laughfest so delectably funny (and playfully raunchy), it would do Mel or Monty proud.
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WICKED LIT 2016

It wouldn’t be October in L.A. without the annual return of the creepy, kooky, mysterious, and spooky theatrical event that turns Altadena’s Mountain View Mausoleum And Cemetery into the chills-and-chuckles-packed trilogy of terror and suspense better known as Wicked Lit.
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THE TRAGEDY OF JFK (AS TOLD BY WM. SHAKESPEARE)

Jackie Kennedy believed Lyndon Johnson killed her husband, and so apparently does The Bard Of Avon in The Tragedy Of JFK (as told by Wm. Shakespeare), Daniel Henning’s devilishly clever “Julius Caesar Redux,” now getting an exciting (and sure to be controversial) World Premiere at Henning’s The Blank Theatre.
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ATLAS PIT, OR THE GARBAGE MAN’S SON

Playwright Alex Burkart takes a grieving teenager, the girl he’s lost for eternity, his desperate parents, and a drug-dealing high school buddy, stirs in the legend of Orpheus and Eurydice, and mixes these ingredients to often powerful effect in his World Premiere drama Atlas Pit, or The Garbage Man’s Son, the latest from The Los Angeles New Court Theatre.
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NEVERMORE

Imagine an Edgar Allan Poe story with Poe himself as protagonist and you’ve got Nevermore, Matt Ritchey’s theatrical riff on The Fall of the House of Usher (with bits of The Pit And The Pendulum and The Tell Tale Heart thrown in for good measure), arriving at Theater Unleashed in time for Halloween in a production that could be better, but provides just enough laughs and thrills to make for ‘60s thriller movie-style fun.
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OUR TOWN

Inspired direction, refreshing diversity in casting, and striking production design breathe fresh new life into Our Town, Thornton Wilder’s classic bit of Americana that first astonished audiences in 1938 with its then revolutionary look at birth, life, love, and what comes after.
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JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT

Cecil B. DeMille meets Vegas meets pop-rock at its most eclectic in Broadway superstar-turned-director Marc Kudisch’s endlessly entertaining retelling of Lord Andrew Lloyd Webber’s very first hit musical, and if you think you’ve seen Joseph And The Amazing Technicolor Dreamcoat before, think again. You’ve never seen one quite like 3-D Theatricals’ stand-up-and-cheer 2016-2017 season opener.
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