Posts Tagged ‘Los Angeles Theater Review’

THE MODEL APARTMENT

Though likely to prove a considerably harder sell than the playwright’s more audience-friendly later works, Pulitzer Prize-winner Donald Margulies’ 1988 The Model Apartment has been given a Geffen Playhouse intimate revival worth seeing for its all-around superb performances, direction, and design.
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SISTER ACT

Mark my words. Daebreon Poiema’s superstar turn as bodacious nightclub chantooze Deloris Van Cartier turned bogus Catholic nun Mary Clarence will have Southland audiences standing up and cheering Candlelight Pavilion Dinner Theatre’s latest crowd-pleaser, the screen-to-stage Broadway hit musical Sister Act.
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MEMPHIS THE MUSICAL

Musical Theatre West looks to have yet another sold-out smash on its hands with Memphis The Musical, one of the most powerful, tuneful, exuberant shows New York and the rest of the world have seen in years.
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SHIPWRECKED!: THE AMAZING ADVENTURES OF LOUIS DE ROUGEMONT (AS TOLD BY HIMSELF)

Theatrical magic doesn’t get more magical—or more brilliantly theatrical—than Donald Margulies’ Shipwrecked!: The Amazing Adventures of Louis de Rougemont (as told by himself), now captivating audiences at Long Beach’s International City Theatre.
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HEATHERS: THE MUSICAL

USC’s entirely student-run Musical Theatre Repertory kicks off its twelfth season with Heathers: The Musical, a screen-to-stage adaptation that may not work as well as the similarly-themed Carrie: The Musical, but nonetheless provides plenty of tongue-in-cheek musical darkness for its talented Trojan performers and behind-the-scenes team.
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BUYER & CELLAR

“Mem’ries” may light the corners of Broadway/TV star Jai Rodriguez’s mind, but they are neither “misty” nor “water-colored” in Jonathan Tolins’ deliciously dishy Buyer & Cellar, a revelatory showcase for Queer Eye “Culture Vulture” Rodriguez under Dimitri Toscas’ truly inspired direction.
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FRIENDS IN TRANSIENT PLACES

A planeload of passengers jetting from New York to L.A. transports playwright Jonathan Caren into Sarah Ruhl territory in Friends In Transient Places, Caren’s experiment in magic realism that, while it may not have you glued to the edge of your seat as did his The Recommendation and Need To Know, offers its own unique pleasures.
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THE IMAGINARY INVALID

Whether you’re a Mel Brooks/Monty Python fan who would never even consider setting foot in “California’s Home For The Classics” or a diehard Molière aficionado who can’t possibly imagine passing up a fresh new adaptation of the 343-year-old Le Malade Imaginaire, Constance Congdon’s 21st-century take on The Imaginary Invalid treats A Noise Within audiences to a laughfest so delectably funny (and playfully raunchy), it would do Mel or Monty proud.
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