Posts Tagged ‘Los Angeles Theater Review’
ELECTRICITY
Monday, August 8th, 2016
Opposites not only attract, they generate Electricity in Terry Ray’s captivating World Premiere tale of two gay men who just happen to meet Same Time Next Decade in the same Ohio motel room from the early 1980s to the present day and (as the song goes) can’t help falling in love.
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FOOTLOOSE THE MUSICAL
Sunday, August 7th, 2016
Ren McCormack is back at Bomont High and fighting for his fellow students’ right to “cut footloose” as Candlelight Pavilion Dinner Theatre treats its audiences to a finger-snapping, toe-tapping revival of Broadway’s Footloose The Musical.
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RAPTURE, BLISTER, BURN
Saturday, August 6th, 2016
San Pedro’s Little Fish Theatre scores a major programming coup in offering Angelinos their first 99-seat look at Gina Gionfriddo’s Rapture, Blister, Burn, the Pulitzer Prize-nominated playwright’s tangy examination of how much—and how little—women’s lives have changed from the pre-Betty Friedan 1950s to the post-post-Feminist today.
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LITTLE SHOP OF HORRORS
Friday, August 5th, 2016
Save for one teensy tiny potted plan that doesn’t even make it through Act One, there’s nothing even vaguely botanical-looking in The B Productions’ 99-seat revival of Menken & Ashman’s Little Shop Of Horrors. What there is is an abundance of talent both onstage and off, making the NoHo Arts Center guest production a winner even if its central conceit (“Technology Can Kill”) will probably work best for those who’ve already seen Little Shop umpteen times.
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EVERYTHING’S COMING UP ROSIE
Tuesday, August 2nd, 2016
A couple of luminous Broadway stars shone brightly this past Sunday in Everything’s Coming Up Rosie, Sterling’s Upstairs At The Federal’s one-night-only salute to Rosemary Clooney, a celebration of both the lady of song and the ten years that Michael Sterling has treated L.A. to the crème-de-la-crème of musical theater talent in an intimate supper club setting.
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A RAISIN IN THE SUN
Sunday, July 31st, 2016
Star turns you’d expect to see at the Pasadena Playhouse or the Geffen distinguish Ruskin Group Theatre’s 57th-anniversary revival of the New York Drama Critics Circle Award-winning A Raisin In The Sun, Lorraine Hansberry’s piercing look at racial discrimination, gender roles, family values, and burgeoning African-American identity—a modern American classic that remains as relevant today as it was in the pre-Civil Rights Era 1950s.
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BABY DOLL
Saturday, July 30th, 2016
A just-right darkly comedic tone and pitch-perfect performances turn minor Tennessee Williams into major summer entertainment as the Fountain Theater gives West Coast audiences their first taste of Pierre Laville and Emily Mann’s streamlined, Williams-estate-approved adaptation of the 1956 movie potboiler Baby Doll.
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SPACE
Saturday, July 30th, 2016
Disproving the oft-suggested notion that a playwright should never direct his own work, Stefan Marks not only scores a double bulls-eye at the Stella Adler; in never leaving the stage as Space’s riveting protagonist, the Ovation Award-winning director-writer-actor proves himself a bona fide triple-threat in this brain-teasing dazzler of a play.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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