Posts Tagged ‘Los Angeles Theater Review’

ONE OF THE NICE ONES

Expect the unexpected—and then some—in Erik Patterson’s One Of The Nice Ones, an edge-of-your-seat dark comedy so filled with “I didn’t see that coming” twists that it’s almost impossible to review without revealing a spoiler or two, but I’ll do my best, while at the same time still providing a taste of the latest from one of L.A.’s most exciting contemporary playwrights now making his Echo Theater Company debut.
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HELLO, DOLLY!

Dolly Levi is still glowing, still crowing, and going stronger than ever as 3-D Theatricals debuts its splendiferous 2016 revival of one of Broadway’s Golden Era greatest, the record-breaking 10-Tony-Award-winning Best Musical of 1964, Hello, Dolly!
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RECORDED IN HOLLYWOOD

Last year’s 99-seat World Premiere musical smash Recorded In Hollywood has returned big time as a Kirk Douglas Theatre guest production in a much retooled upscale transfer that promises even greater things ahead for the crowd-pleasing, get-up-and-dance Memphis/Motown-style tribute to 1950s/60s African-American R&B groundbreaker John Dolphin.
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DIRTY ROTTEN SCOUNDRELS

Few 21st-century musicals have put the Comedy back into Musical Comedy like Best Musical Tony nominee Dirty Rotten Scoundrels, at long last getting the big-stage professional production SoCal musical theater lovers have been waiting for since its National Tour stopped at the Pantages a full decade ago, and what a production it is thanks to the Musical Comedy Pros at Musical Theatre West.
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THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE

The 25th Annual Putnam County Spelling Bee has set up shop at the Sierra Madre Playhouse for the next two months in a 99-seat production sure to delight both Bee newbies and veteran Bee buffs like this reviewer, who enjoyed Bee 14.0 every bit as much as his very first thanks to Robert Marra’s zesty direction/choreography and a cast to rival the best I’ve seen.
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FOOL FOR LOVE

I may never go gaga for Fool For Love, but if ever a production could make me a believer in Sam Shepard’s overheated take on Greek tragedy in today’s Wild Wild West, it’s the one now playing at the Davidson/Valentini Theatre thanks to some refreshingly subtle directorial touches and a quartet of superb performances, chief among them star turns by Burt Grinstead and Charlotte Gulezian.
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SMOKE

Fearless only begins to describe Patrick Stafford and Emily James’ stunning performances in Kim Davies’ walk-on-the-wild-side two-hander Smoke, now running in raw, risk-taking Rogue Machine rep with the similarly single-word-titled Honky and Bull.
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BULL


Youtube videos would like bullied teens to believe “It Gets Better” once high school days are over and done. Not so in the dog-devour-dog business world of Mike Bartlett’s Bull, where it’s one pitiful runt going head to head against a pair of vicious pit bulls. Sorry, make that one pit bull and one pit bitch. Now running in rep with Rogue Machine’s Honky and Smoke, Bull makes for one devastatingly funny, mercilessly soul-shattering fifty-five minute ride.
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