Posts Tagged ‘Los Angeles Theater Review’

THE 39 STEPS

Richard Hannay is on the run again in Patrick Barlow’s masterful four-actor comedic adaptation of John Buchan’s The 39 Steps, as supremely imaginative an evening of theater as you’re likely to experience any time soon.
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SWEET CHARITY

Three-time Tony-winner Kathleen Marshall and Broadway’s original Elle Woods team up with some of L.A.’s finest musical theater talents as Reprise 2.0 treats audiences to Sweet Charity, both the 1966 Neil Simon-Cy Colemen-Dorothy Fields gem and the irrepressibly plucky title character brought to irresistible life by a sensational Laura Bell Bundy on the UCLA Freud Playhouse stage.
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LEGALLY BLONDE

Rising musical theater star Callandra Olivia is a pretty-in-pink Harvard Law School stunner as Elle Woods in Candlelight Pavilion’s irresistible big-stage production of the 2007 Hollywood-to-Broadway hit Legally Blonde.
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MEXICAN DAY

Following the hallucinogenic surrealism of Plunge and the real-time fireworks of Tar, playwright Tom Jacobson concludes his mammoth Bimini Bath Trilogy with no less than an old-fashioned 1940s-style screwball comedy (with dramatic overtones) called Mexican Day, like its predecessors an enthralling, enlightening look at 20th-century L.A. history.
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SKELETON CREW

If Arthur Miller had written a play about auto workers facing the personal and professional consequences of a possible plant closure, it might have been Skeleton Crew, which is about the highest praise I can bestow upon Dominique Morisseau’s powerful blue-collar drama, now making a breathtakingly designed, directed, and performed Geffen Playhouse debut.

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PLUNGE


Long-buried secrets of power, passion, and perversion propel Plunge, the first installment of Tom Jacobson’s concurrently running Bimini Baths Trilogy, as provocative a World Premiere play as you’re likely to experience any time soon.
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TAR

L.A.’s fabled Bimini Hot Springs and Sanitarium (1903-1956) provide the backdrop for Tom Jacobson’s The Ballad of Bimini Baths trilogy, the prolific Angelino playwright’s most ambitious project to date, and if the Playwrights’ Arena World Premiere Tar is any indication of what Plunge and Mexican Day hold in store, audiences are in for an exhilarating, elucidating three-part treat.
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AN EVENING OF BETRAYAL

Harold Pinter’s backwards-moving Betrayal and an abridged Othello told from finish to start add up to An Evening Of Betrayal that proves one of late spring’s most exciting theatrical surprises.
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