Posts Tagged ‘Los Angeles Theater Review’

SOFT POWER

A New York cast and production team bring Los Angeles audiences the World Premiere latest from Tony-winning playwright David Henry Hwang and Tony-winning composer-lyricist Jeanine Tesori, the crowd-pleasing East-meets-West “play with a musical” Soft Power, as audacious in concept as it is for the most part effective in execution.
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DIE, MOMMIE, DIE!

Over-the-top doesn’t begin to describe the performances–or the fun of seeing so much scenery chewed by so sensational a cast–in Center Theatre Group’s Block Party reprise of Celebration Theatre’s 2017 comedy smash Die, Mommie, Die!
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THE UNAUTHORIZED MUSICAL PARODY OF CLUELESS

East Coast transfer student Tai Frasier may have been clueless when she showed up at Beverly Hill High just aching for a makeover, but the folks at Rockwell prove themselves masterful movie spoofers once again with their riotous, rollicking latest, The Unauthorized Musical Parody Of Clueless.
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HONEYMOON IN VEGAS

Musical Theatre Guild has concluded its 20th-anniversary with a Honeymoon In Vegas so thrillingly staged, choreographed, and performed that yesterday’s audience could be excused for forgetting that they were seeing a mere “concert staged reading” put together in a mere twenty-five hours from table read to showtime.
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KNIFE TO THE HEART

To cut or not to cut. That is the question facing Marshall and his shiksa spouse when pregnant-with-twins Julie Ann learns that the postpartum shindig her Jewish mother-in-law’s got planned will involve not just cocktails but a bit of infant cock-snipping. No wonder Stan Zimmerman and Christian McLaughlin have titled their entertaining, unexpectedly touching 80-minute stage sitcom Knife To The Heart.
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CARDBOARD PIANO

War and homophobia wreak havoc on the lives of an overseas missionary couple’s teenage daughter, her Ugandan girlfriend, and the outwardly maimed, inwardly wounded 13-year-old soldier who interrupts their impromptu wedding ceremony one dark and devastating night in Hansol Jung’s Cardboard Piano, the gut-punching latest from International City Theatre.
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BLUES IN THE NIGHT

Chester Gregory may have Yvette Cason, Paulette Ivory, and Bryce Charles singing the lovesick blues from dusk to dawn, but for audiences at The Wallis, Sheldon Epps’ 1982 Best Musical Tony nominee Blues In the Night proves this year’s feel-best musical revue.
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SINGIN’ IN THE RAIN

Springtime skies may be cloudless in Claremont, but audiences will be Singin’ In The Rain through June 2nd at Candlelight Pavilion Dinner Theatre’s terrific big-stage revival of Broadway’s 1985 take on the 1952 Gene Kelly-Donald O’Connor-Debbie Reynolds MGM classic.
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