Posts Tagged ‘Los Angeles Theater Review’
LYSISTRATA UNBOUND
Thursday, July 12th, 2018
Drama, dance, and Greek-style tragedy merge in Lysistrata Unbound, playwright Eduardo Machado and director-choreographer John Farmanesh-Bocca’s stunning reenvisioning of Aristophanes’ 2400-year-old tale of a woman who takes antiwar protests to a decidedly personal level.
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YANKEE DOODLE DANDY
Monday, July 9th, 2018A talented cast do their best to breathe life into Musical Theatre West’s Yankee Doodle Dandy, a well-intentioned but ill-conceived look back at the life of George M. Cohan, the father of 20th-century musical comedy.
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CABARET
Friday, July 6th, 2018
Michael Matthews takes Cabaret, a director’s show if there ever was one, and transforms it into the summer’s most spectacular intimate musical, an almost perfect rendition of the 20th-century Broadway classic, a production blessed by superb performances, breathtaking choreography, and the most jaw-dropping design I may ever have seen at Celebration Theatre.
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100 APRILS
Tuesday, July 3rd, 2018The victims and the perpetrators of the mass murder of a million-and-a-half Armenians haunt a dying septuagenarian circa 1982 in Leslie Ayvazian’s edifying, impressively performed, if problematic World Premiere drama 100 Aprils, the latest from Rogue Machine.
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THE BLADE OF JEALOUSY
Monday, July 2nd, 2018The Blade Of Jealousy, Henry Ong’s contemporary updating of a 17th-century Spanish screwball farce, proves a misfire for the writer of the justly lauded Sweet Karma, a misdirected, overacted, and mostly laugh-free World Premiere now playing Sundays at Sherman Oaks’ Whitefire Theatre.
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MARY POPPINS
Sunday, July 1st, 2018
Santa Monica’s Morgan-Wixson Theatre delivers the family entertainment goods with a supercalifragilisticexpialidocious Mary Poppins, once again proving that you don’t need Broadway-budget spectacle to get audiences cheering.
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OUR VERY OWN CARLIN MCCULLOUGH
Friday, June 29th, 2018
Amanda Peet takes a trio of characters we’ve seen before–a parent, a prodigiously talented child, and a dedicated coach–and weaves them together into the cliché-defying Our Very Own Carlin McCullough, as riveting a World Premiere as I’ve seen at the Geffen Playhouse, or just about anywhere else for that matter.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.


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