Posts Tagged ‘Los Angeles Theater Review’

SUDDENLY LAST SUMMER

Even a minor Tennessee Williams play like Suddenly Last Summer deserves far better than the misbegotten revival the 1958 one-act is being given at North Hollywood’s Whitmore-Lindley Theatre.

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DRACULA THE MUSICAL


Vampire fans will find themselves in Transylvania Heaven at The Nocturne Theatre’s stunningly staged in-the-round revival of Dracula The Musical, now thrillifying audiences while treating them to some of the most spectacular vocals in town.
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SHUCKED


Corn is king in Brandy Clark, Shane McAnally, and Robert Horn’s Shucked, the most hee-haw-larious musical comedy Broadway has seen in years, and as tuneful and heart-filled and downright original as a feel-good musical can get.
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THE SEAGULL: MALIBU


Ellen Geer updates Anton Chekhov’s The Seagull from 1890s tsarist Russia to Malibu, California during the “It’s All About Me” 1970s, and the exhilarating result is The Seagull: Malibu, a romantic dramedy that’s both Chekhovian and Southern Californian, and a Summer Of 2025 treat no matter how you feel about Chekhov.
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ANTIGONE


Neil LaBute puts a 21st-century spin on French playwright Jean Anouilh’s 1944 adaptation of Sophocles’ classic Greek tragedy Antigone, itself a thinly veiled attack on the Nazi-allied Vichy government that controlled Paris during World War II, in the compelling, thought-provoking latest from City Garage.
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& JULIET


Romeo’s teenage bride gets a new lease on life in the West End-to-Broadway smash & Juliet, quite possibly the most hit-packed musical in Broadway history and one that now tops my list of favorite shows of the past ten years right up there with The Prom, Come From Away, and Dear Evan Hansen.
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TUNE IN

Playwright Carlos Lacámara tackles university politics, mental illness, psychedelic drug therapy, childhood trauma, and women in academia in the early 1960s, stirs in at least one soap opera-worthy plot twist, and garners more than a few laughs along the way in Tune In, another fabulous Theatre Of NOTE World Premiere.

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STRIFE


The rich get richer and the poor get poorer in Strife, John Galsworthy’s more-relevant-than-ever look at the darker side of HBO’s The Gilded Age.
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