Posts Tagged ‘Geffen Playhouse’

STAGE KISS

Noël Coward meets Noises Off meets Conor McPherson when a couple of onetime lovers find themselves lip-locked once again in not one but two not-so-brilliant regional theater productions in Sarah Ruhl’s scrumdiddlyumptious backstage comedy Stage Kiss, now getting its West Coast Premiere at the Geffen Playhouse.
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SEX WITH STRANGERS

Sexual sparks fly when a prim-and-proper one-flop-wonder of a novelist and a best-selling chronicler of a year’s worth of one-night stands find themselves the only guests in a rural bed-and-breakfast in Sex With Strangers, Laura Eason’s provocative, conversation-provoking, undeniably sexy dramedy, now making its Los Angeles debut at the Geffen Playhouse.
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OUTSIDE MULLINGAR

A couple of long-feuding Irish neighbors find themselves moonstruck in John Patrick Shanley’s delightfully quirky romantic comedy Outside Mullingar, now charming audiences at the Geffen Playhouse.
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THESE PAPER BULLETS!

The Bard meets The Fab Four in Rolin Jones’ exuberantly entertaining These Paper Bullets!, now getting its West Coast Premiere at the Geffen Playhouse, and while audience members lacking either a soft spot for iambic pentameter or a familiarity with Beatles legend might just end up tuning out, at least during the show’s overlong first act, by the time Act Two rolls around with its Monty-Python-meets-Benny-Hill delights (and with Billie Joe Armstrong’s songs the absolute next best thing to Lennon-&-McCartney circa 1964), it’s hard to imagine anyone not ultimately falling under These Paper Bullets!’ magic spell.
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BAD JEWS

To the list of female comedy leads that any actress would kill to play (and win awards for), a list that includes Born Yesterday’s Billie Dawn, Twentieth Century’s Lily Garland, and Lost In Yonkers’ Bella Kurnitz, you can now add the name Daphna Feygenbaum, a role that Molly Ephraim knocks out of the ball park—and then some—in the Geffen Playhouse’s West Coast Premiere of Joshua Harmon’s Bad Jews, a play as hilarious as it is brilliant, and one you’ll be talking about for quite some time to come.
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THE POWER OF DUFF

All hell breaks loose—or is it heaven?—when TV anchor Charlie Duff offers an impromptu (and decidedly prayerful) tribute to his just-deceased father at the end of the nightly news, thereby setting off a firestorm of pro-and-con reactions in Stephen Belber’s The Power Of Duff, a play that is one part dark comedy, one part satire, but ultimately the deeply moving story of one man’s inadvertent quest for redemption.
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THE NIGHT ALIVE

Superb performances, a brilliant production design, plenty of chuckles (with a few gasps thrown in for good measure), and characters as weirdly idiosyncratic as any I’ve seen onstage spark the Geffen Playhouse’s West Coast Premiere of Conor McPherson’s The Night Alive. As to whether the play itself is worthy of the unqualified superlatives that out-of-town critics have showered upon McPherson’s oh-so quirky comedy, well, I’ll leave that up to you to decide.
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CHOIR BOY

A gay African-American prep school student comes of age in the Geffen Playhouse West Coast Premiere of Tarell Alvin McCraney’s play-with-music Choir Boy, exquisitely performed by an all-around superb cast and impeccably helmed by its original New York/Atlanta director.
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