Posts Tagged ‘Center Theatre Group’

CLYDE’S


Four sandwich-making ex-cons strive to forge new lives for themselves in Lynn Nottage’s hilarious, hard-hitting Clyde’s, now playing at the Mark Taper Forum direct from its recent run at Chicago’s Goodman Theater.
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2:22 – A GHOST STORY


October may be over, but it’s still Halloween season at the Ahmanson as Center Theatre Group treats theatrical thrill seekers to the U.S. premiere of the West End phenomenon that is Danny Robins’ scrumptiously scare-packed haunted house chiller 2:22 – A Ghost Story.
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OKLAHOMA!


Forget every Oklahoma! you’ve ever seen. Forget everything you’ve ever heard or said or thought about the 79-year-old classic. Director Daniel Fish’s radically revisionist revival of the Broadway musical that reinvented the genre back in 1943 now feels every bit as revolutionary in 2022 as Rent did in 1994, Spring Awakening in 2006, and Hamilton just a handful of years back.
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THE PROM

A gaggle of liberal-minded Broadway narcissists descend on conservative Middle America to aid an Indiana teen who just wants to dance in public with the girl she loves in The Prom, the multiple-Tony-nominated musical that now ranks sky-high on my list of 21st-century favorites.
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KING JAMES


Two young men forge a life-changing best-friendship thanks to their shared love of basketball (and more specifically of b-ball superstar LeBron James) in Rajiv Joseph’s heart-stopping brom-com King James, now bringing audiences to their feet at the Mark Taper Forum.
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TAMBO & BONES

Dave Harris’s Tambo & Bones, a Center Theatre Group World Premiere, takes black anger against white America to such extremes that sitting through ninety minutes of it had me wishing I were anyone other than inside the Kirk Douglas Theatre. And it didn’t help that at least forty-five of its ninety minutes are devoted to ear-splitting, N-word/expletive-filled rap.
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HADESTOWN


Like Rent, Spring Awakening, and Hamilton before it, Anaïs Mitchell’s Hadestown, the 2019 Tony winner for Best Musical, revitalizes the genre in the most electrifyingly original of ways.
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BLUES FOR AN ALABAMA SKY


Love, hate, and jealousy. Pearl Cleage’s Blues For An Alabama Sky has them all, and an abundance of laughs to boot, in Center Theatre Group’s sensatinal revival of the Atlanta-based playwright’s 1995 hit, directed by none other than its original Alliance Theatre Company star Phylicia Rashad.
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