Posts Tagged ‘Center Theatre Group’

MATTHEW BOURNE’S SWAN LAKE

Choreographer extraordinaire Matthew Bourne returns to the Ahmanson with his thrillingly original take on Swan Lake, the Tchaikovsky ballet that first put Bourne’s name on the dance map in the 1990s with its stageful of bare-chested male swans and the handsome prince who found himself smitten with their seductive leader.
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AUGUST WILSON’S JITNEY

Father-son conflict, romantic friction, and the threat of imminent unemployment ignite dramatic sparks amidst tension-relieving laughter in August Wilson’s Jitney, whose 2017 Broadway debut now visits the Mark Taper Forum after a well-earned Best Revival Tony win.
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THE NEW ONE

Stand-up comedy at the Ahmanson? Say what?

Now before you rush to judgment, be aware that the stand-up comic in question is actor-director-producer-writer Mike Birbiglia and The New One, the show he’s now touring the country with, comes direct from a successful run on Broadway no less. In other words, if you can afford $35 to $145 per ticket, you won’t find eighty more entertaining, relatable, ultimately powerful minutes of solo-performance theater in town.
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LATIN HISTORY FOR MORONS

If John Leguizamo’s Latin History For Morons sounds like it’s going to be nothing more than a light-hearted accumulation of dates and names and facts we all ought to know but don’t, think again. Though Leguizamo’s one-man show is indeed as funny and elucidating as any theater-going moron could wish for, it’s also a justifiably rage-filled attack on those who’d rather see his people erased not just from history books (as they already are) but from America itself.
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THE PLAY THAT GOES WRONG

So nonstop hilarious is the latest National Tour playing a visit to the Ahmanson, The Play That Goes Wrong just might hold the laugh-a-minute record for a West End-to-Broadway comedy smash.
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INDECENT

A gut-punching, all-too relevant look at Antisemitism, censorship, homophobia, anti-immigration hysteria, the Holocaust, and McCarthyism during the first half of the 20th Century, Paula Vogel’s Indecent is also a thought-provoking demonstration of the power of live theater to both inspire and inflame, and for Los Angeles theatergoers, a chance to see the production that scored director Rebecca Taichman a Tony win two years ago.
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FALSETTOS

A freshly out New Yorker’s life before and after the AIDS epidemic wreaked havoc on his city makes for the most unlikely of Broadway musicals, and one of the most richly rewarding, in Falsettos, now moving audience to laughter through tears at the Ahmanson.
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FOR THE LOVE OF (OR, THE ROLLER DERBY PLAY)

With director Rhonda Kohl choreographing like you’ve never seen a play choreographed before, it’s perhaps no wonder CTG picked Theatre Of NOTE’s For The Love Of (Or, The Roller Derby Play) to open year’s Block Party at the Kirk Douglas despite its overly familiar coming-of-age love story and a two-and-a-half-hour running time that could stand some significant snips.
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