Posts Tagged ‘Center Theatre Group’

AMERICAN IDIOT


The Mark Taper Forum is back in business with an American Idiot revival so spectacular, the sex-drugs-and-rock-and-roll-packed musical extravaganza ought to follow in the footsteps of Deaf West’s Big River and Spring Awakening and become a Broadway must-see.
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DUEL REALITY


The most thrilling seventy-five minutes of live theatrical entertainment you’re likely to experience this or any year can now be had at the Ahmanson where eleven superhumanly gifted performers take death-defying flight in Duel Reality.
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CLUE


Audiences craving a cure for the summertime blues need look no further than Clue, eighty minutes of nonstop whodunit hilarity presented Live On Stage at the Ahmanson.
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FUNNY GIRL


Katerina McCrimmon gives the touring performance of this or any year as comedy legend Fanny Brice in the Broadway National Tour of Funny Girl, its songs as unforgettable as ever, its revised Harvey Fierstein book a marked improvement on the Isobel Lennart original, and its direction (by Michael Mayer) as inspired as direction gets.
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MATTHEW BOURNE’S ROMEO AND JULIET


Daringly reconceived, thrillingly choreographed, and dazzlingly performed, the North American Premiere of Matthew Bourne’s Romeo And Juliet is the latest absolute must-see from the UK-based dance company that has made the Ahmanson Theatre its American home away from home for the past twenty-six years.
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A CHRISTMAS STORY: THE MUSICAL


Entertainment Weekly’s 2nd-Best Christmas Movie of All Time* comes to irresistible song-and-dance life at the Ahmanson as Center Theatre Group treats audiences of all ages to Broadway’s A Christmas Story: The Musical.
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DOG MAN: THE MUSICAL


Kids’ shows don’t get any more adult-friendly than Dog Man: The Musical, which is why whether or not you have school-age children who want to tag along, the off-Broadway hit’s new National Tour, now playing at the Kirk Douglas, just might be the most fun you’ll have at a theater this entire holiday season.
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HADESTOWN


A nearly brand-new cast makes Hadestown’s two-week return to the Ahmanson not only a must-see for anyone who thrilled to the Best Musical Tony winner last year, but also a thrilling introduction to Anaïs Mitchell’s electrifyingly original musical smash for those discovering it for the first time.
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