Posts Tagged ‘Arthur Miller’

ALL MY SONS


An absolutely sensational Antaeus Theatre Company cast under the inspired direction of Oanh Nguyen make it abundantly clear why many like this reviewer consider Arthur Miller’s All My Sons (and not his more celebrated and revived Death Of A Salesman) his masterwork.
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DEATH OF A SALESMAN

Panic! Productions’ midsize revival of Arthur Miller’s Death Of A Salesman fails to live up to Salesman’s reputation as the playwright’s greatest achievement due to a combination of inappropriate casting, ineffective direction, and snail-slow pacing on the Colony Theatre stage.
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A VIEW FROM THE BRIDGE


Pulitzer Prize winner Arthur Miller ignites fires of lust, jealousy, and revenge at Theatre Palisades in A View From The Bridge, a community theater stunner whose riveting performances and spot-on direction rival the best that L.A. equity houses have to offer.
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A VIEW FROM THE BRIDGE


Arthur Miller and Santa Monica’s Ruskin Group Theatre once again prove a match made in heaven with A View From The Bridge, magnificently performed in an intimate staging that turns every single audience member into a fly on the wall of this gritty Greek tragedy set on the waterfront of 1950s Brooklyn.
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DEATH OF A SALESMAN

A revelatory Rob Morrow heads an all-around superb cast in The Ruskin Group Theatre’s meticulously directed, stunningly performed 70th-anniversary revival of Arthur Miller’s Death Of A Salesman.
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THE PRICE

Arthur Miller was still going strong when The Price made its Broadway debut two decades after All My Sons and Death Of A Salesman made him a Broadway household name, and if his 1968 family drama isn’t in quite the same league as those two 20th-century masterpieces, it still makes for powerful, thought-provoking drama on the International City Theatre stage.
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DEATH OF A SALESMAN

Kevin McCorkle makes for a masterful, deeply affecting Willy Loman in The Process 360’s 70th-anniversary intimate staging of Arthur Miller’s Death Of A Salesman, now playing at North Hollywood’s Secret Rose Theatre.
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A VIEW FROM THE BRIDGE

Arthur Miller’s A View From The Bridge, this year’s Best Revival Tony winner, has arrived at the Ahmanson in a production likely to leave audience opinion split between “brilliantly innovative” and “pretentiously boring.” Though it took me a while to get there, I ended up veering towards the former point of view. Still, unless you’re lucky enough to be sitting either onstage (an option here) or up close (if you’ve got the bucks), the Ahmanson proves far too large a venue for a production as intimate as this one.
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