Posts Tagged ‘A Noise Within’
SIX CHARACTERS IN SEARCH OF AN AUTHOR
Tuesday, April 5th, 2016
A Noise Within revives Luigi Pirandello’s 1921 absurdist classic Six Characters In Search Of An Author with enough exciting theatricality to largely overcome the dated melodrama of the play-within-a-play that its sextet of author-seeking Characters are hoping to see performed.
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YOU NEVER CAN TELL
Sunday, March 13th, 2016
The words “frothy romp” may not be the first to pop into a theatergoer’s head when describing a George Bernard Shaw comedy, but this is precisely what the author of Man And Superman, Mrs. Warren’s Profession, and Saint Joan confectioned back in 1897 when he wrote You Never Can Tell (his “Anything You Can Do, I Can Do Better” response to Oscar Wilde’s The Importance Of Being Earnest), evidence of which can currently be savored at A Noise Within’s ever so frothy, ever so rompy revival of this lesser-known Shaw gem.
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ROMEO AND JULIET
Sunday, February 21st, 2016
Graffiti-covered inner-city walls, dumpsters, and assorted skid-row detritus provide a startling but effective backdrop for A Noise Within’s Romeo And Juliet, director Dámaso Rodríguez’s electrifying new look at the age-old classic.
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FIGARO
Friday, April 10th, 2015
The very first West Coast staging of a 2012 World Premiere may not be what folks expect from A Noise Within given the company’s usual slate of Shakespeare, Shaw, Racine, Moliere, and other long-deceased playwrights, but that is precisely what California’s Home For The Classics now offers its audiences in Charles Moray’s Figaro, the frothiest, funniest, most farcical romp I’ve yet seen at ANW.
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JULIUS CAESAR
Sunday, March 29th, 2015
When staging Shakespeare for a contemporary audience who’s seen each of the Bard’s plays a gazillion times, it all comes down to acting, design, and execution, and A Noise Within scores three for three in their Spring 2015 season production of Julius Caesar.
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THE THREEPENNY OPERA
Monday, February 23rd, 2015
A Noise Within kicks off its Spring 2015 season with a sensationally performed and designed revival of Bertolt Brecht and Kurt Weill’s The Threepenny Opera. Theatergoers who’ve not acquired a taste for Brecht’s brand of early 20th-century avant-garde or Weill’s dirge-like melodies may find its three-hour running time a bit of a long haul, however those with a fondness for Threepenny (and they are, I am told, legion) will find themselves in Brecht/Weill heaven.
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MACBETH
Saturday, April 26th, 2014RECOMMENDED
Elijah Alexander and Jules Willcox deliver powerhouse performances as Macbeth and his Lady as A Noise Within presents its latest excursion into Shakespeare territory. By contrast, Larry Carpenter’s direction proves considerably less impressive.
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