Posts Tagged ‘A Noise Within’

THE MAIDS

Stunning performances and a striking production design make A Noise Within’s revival of Jean Genet’s The Maids a must for fans of mid-20th-century French experimental theater. Those less fond of avant-garde fare will find Genet’s talky tale of twisted sisters a considerably tougher go.
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THE IMAGINARY INVALID

Whether you’re a Mel Brooks/Monty Python fan who would never even consider setting foot in “California’s Home For The Classics” or a diehard Molière aficionado who can’t possibly imagine passing up a fresh new adaptation of the 343-year-old Le Malade Imaginaire, Constance Congdon’s 21st-century take on The Imaginary Invalid treats A Noise Within audiences to a laughfest so delectably funny (and playfully raunchy), it would do Mel or Monty proud.
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ARCADIA

Tom Stoppard’s Arcadia can prove quite a head-scratcher when not done right. Fortunately, despite brain-teasing elements that can challenge even the sharpest intellect, all-around superb acting and incisive direction make A Noise Within’s 25th-season opener as entertaining and accessible as Arcadias get.
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SIX CHARACTERS IN SEARCH OF AN AUTHOR

A Noise Within revives Luigi Pirandello’s 1921 absurdist classic Six Characters In Search Of An Author with enough exciting theatricality to largely overcome the dated melodrama of the play-within-a-play that its sextet of author-seeking Characters are hoping to see performed.
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YOU NEVER CAN TELL

The words “frothy romp” may not be the first to pop into a theatergoer’s head when describing a George Bernard Shaw comedy, but this is precisely what the author of Man And Superman, Mrs. Warren’s Profession, and Saint Joan confectioned back in 1897 when he wrote You Never Can Tell (his “Anything You Can Do, I Can Do Better” response to Oscar Wilde’s The Importance Of Being Earnest), evidence of which can currently be savored at A Noise Within’s ever so frothy, ever so rompy revival of this lesser-known Shaw gem.
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ROMEO AND JULIET

Graffiti-covered inner-city walls, dumpsters, and assorted skid-row detritus provide a startling but effective backdrop for A Noise Within’s Romeo And Juliet, director Dámaso Rodríguez’s electrifying new look at the age-old classic.
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FIGARO

The very first West Coast staging of a 2012 World Premiere may not be what folks expect from A Noise Within given the company’s usual slate of Shakespeare, Shaw, Racine, Moliere, and other long-deceased playwrights, but that is precisely what California’s Home For The Classics now offers its audiences in Charles Moray’s Figaro, the frothiest, funniest, most farcical romp I’ve yet seen at ANW.
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JULIUS CAESAR

When staging Shakespeare for a contemporary audience who’s seen each of the Bard’s plays a gazillion times, it all comes down to acting, design, and execution, and A Noise Within scores three for three in their Spring 2015 season production of Julius Caesar.
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