Posts Tagged ‘A Noise Within’

NOISES OFF

A Noise Within re-revives its all-time biggest money-maker, Michael Frayn’s Noises Off, guaranteeing audiences two-and-a-half hours of comedic bliss, and not just in Acts One, Two, and Three. This farce-to-end-all-farces is so out-and-out hilarious, you may even find yourself experiencing delayed-reaction laughter during intermissions.
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HENRY V

Those who insist on three-plus hours of Shakespeare may well get their knickers in a twist over the sixty-some minutes chopped from Julia Rodriguez-Elliott and Geoff Elliott’s excitement-packed Henry V now on show at Pasadena’s A Noise Within. Not this reviewer, who welcomes not just its refreshingly brief two-hours-and-change running time but its multitude of action movie-ready thrills.
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A RAISIN IN THE SUN

A Raisin In The Sun, Lorraine Hansberry’s piercing look at racial discrimination, gender roles, family values, and burgeoning African-American identity in the pre-Civil Rights Era 1950s gets revived to powerful effect at Pasadena’s A Noise Within.
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A TALE OF TWO CITIES

Forget every A Tale Of Two Cities you’ve seen before, and that includes the 1935 MGM classic. A Noise Within’s United States Premiere of Mike Poulton’s thrillingly reconceived 2014 stage adaptation is in a class by itself, Dickens retold for a 21-century audience, instantly compelling, gorgeous to look at, profoundly moving, and as directed by Julia Rodriguez-Elliott and Geoff Elliot, the absolute must-see production of ANW’s all-around smashing Fall 2017 season.
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MRS. WARREN’S PROFESSION

A Noise Within has once again done what it does best in George Bernard Shaw’s Mrs. Warren’s Profession. It has taken a theatrical classic of centuries past and staged it as if it had been written today, and with the always edgy Michael Michetti in the director’s chair, ANW’s slogan “Classic Theatre, Modern Magic” has rarely felt more apt.
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THE MADWOMAN OF CHAILLOT

A cabal of super-wealthy corporate execs conspire to drill for oil deep under the cafés and museums and monuments of Paris, environmental consequences be damned, in Jean Giraudoux’s The Madwoman Of Chaillot, the latest bit of theatrical alchemy from A Noise Within.
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MAN OF LA MANCHA

Stunningly staged and strikingly redesigned, A Noise Within’s Man Of La Mancha takes a half-century-old musical theater classic and gives it 21st-century relevance while reminding audiences why the 1965 Best Musical Tony winner has stood the test of time in a way the same year’s Skyscraper, Pickwick, and It’s A Bird…It’s A Plane…It’s Superman have not.
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AH, WILDERNESS!

A New England teen does considerable growing up over the course of thirty-six midsummer hours in Ah, Wilderness!, Eugene O’Neil’s timeless bit of early twentieth-century Americana, delightfully revived by A Noise Within in a production that could only have been improved by the casting of an age-appropriate lead.
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