Posts Tagged ‘A Noise Within’

RICHARD III

Ann Noble delivers a tour-de-force performance in the title role, but I found Guillermo Cienfuegos’s edgy, contemporary, stunningly staged take on William Shakespeare’s Richard III hard to follow (and most of its characters hard to distinguish one from another). Then again, that just might be me and my conflicted feelings about the Bard, particularly when he is in history play mode.
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A CHRISTMAS CAROL


A production design that just keeps getting more gorgeous, staging that gets more and more inventive year after year, new songs and harmonies to make it seem almost a musical, and cast additions that only add to the magic… For these reasons and more, there’s no A Christmas Carol in town that comes close to matching A Noise Within’s one-of-a-kind take on the Charles Dickens classic.
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ONE MAN, TWO GUVNORS


The Swinging Sixties have rarely if ever swung as wildly and wackily as they do in the physical-comedy-packed screwball funfest that is the West End-to-Broadway smash One Man, Two Guvnors, A Noise Within’s couldn’t-be-more-fabulous 2025-2026 season opener.
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A MAN OF NO IMPORTANCE


Kasey Mahaffy delivers an exhilarating, emotion-packed, career-redefining performance as Dublin bus conductor Alfie Byrne in A Noise Within’s stirring revival of Terrence McNally, Lynn Aherns, and Stephen Flaherty’s 2002 off-Broadway musical A Man Of No Importance.
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JANE EYRE

A Noise Within follows their spectacular reimagining of Macbeth with a solid production of Charlotte Brontë’s Jane Eyre, albeit not as effectively staged or as ideally cast as I might have wished.
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MACBETH


Transposing William Shakespeare’s Macbeth from the bleak moors of Scotland to the sultry streets of New Orleans is just the first of director Andi Chapman’s multiple strokes of genius in re-envisioning The Scottish Play to all-around stunning effect at A Noise Within.
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A CHRISTMAS CAROL


Frederick Stuart’s reinventive star turn as Ebenezer Scrooge tops the reasons why my third time seeing A Noise Within’s A Christmas Carol felt like experiencing this holiday spectacular for the very first time.
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AUGUST WILSON’S THE PIANO LESSON


To sell or not to sell. That is the question at the heart of the Pulitzer Prize-winning August Wilson’s The Piano Lesson, an October gift from A Noise Within to the playwright’s many fans, and even for those like this reviewer who’d prefer it if Wilson’s Pittsburgh Cycle decalogy didn’t run a hefty three hours each, this is easily one of his most entertaining and powerful works.
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