THE EIGHT: REINDEER MONOLOGUES

A salacious Santa’s unspeakable indiscretions aren’t nearly so laughable in a #metoo era as they were when Jeff Goode premiered The Eight: Reindeer Monologues twenty-five Christmases ago, just one reason his quarter-century old collection of R-rated solo confessions proves even more powerful and relevant than when it debuted in 1994, a dark comedy gone darker than ever as its ingeniously staged, splendidly performed Crown City Theatre Company debut makes abundantly clear.
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A CHRISTMAS STORY

Ralphie Parker’s back for a second December at the Sierra Madre Playhouse, still wishing and hoping to find a Red Ryder Carbine Action 200-shot Range Model air rifle BB gun under the tree, still providing audiences of all with A Christmas Story sure to both touch the heart and tickle the funny bone.
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SCISSORHANDS

The magic and wonder and humor and heart of a Tim Burton movie classic come to haunting musical life as Rockwell Table + Stage and The Fuse Project debut Scissorhands, the ideal holiday alternative for those who prefer their Christmas season entertainment with an edge.
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THE WONDERFUL WINTER OF OZ

The Yellow Brick Road leads to Pasadena this week and next as Lythgoe Family Panto debuts its latest kids-friendly holiday musical spoof, a seasonally retitled The Wonderful Winter Of Oz.
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IT’S A WONDERFUL LIFE: THE RADIO PLAY

There’s more than one Christmas miracle in store for the cast and characters of Theatre Unleashed’s It’s A Wonderful Life: The Radio Play, Jim Martyka’s double-your-pleasure adaptation of the holiday perennial.
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LOVE ACTUALLY LIVE

Forget about streaming it on Netflix for the umpteen December or pulling out your much viewed DVD for another annual look-see. Instead, run, don’t walk to Beverly Hills for The Wallis & For The Record’s Love Actually Live.
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A HARMONY BOYS CHRISTMAS: LIVE FROM WAIKIKI BEACH!

The Harmony Boys throw good taste out the window, and thank Santa for that, as Bobby, Barry, Billy, and Xian Ling Moon Harmony reunite at the Grand Kahulahani Resort And Sacred Indigenous Burial Grounds for “some Christmas cheer, some song and dance, and some very poorly researched appropriation of Pacific Island culture” in A Harmony Boys Christmas: Live From Waikiki Beach, Aaron Matijasic’s gift to L.A. theatergoers in search of politically incorrect, R-rated fun for the holidays.
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SOUTH PACIFIC

Intimacy isn’t a word normally associated with the Rodgers & Hammerstein’s South Pacific, just one reason the 200-seat Rubicon Theatre Company’s two-piano revival is a December must-see. Others are its superb quartet of lead performers, an all-around terrific supporting cast, direction by a gifted young Brit, refreshingly original choreography by a SoCal star, and a simply gorgeous production design, all of which more than do justice to a 20th-century American musical theater classic.
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