ONE MAN, TWO GUVNORS


The Swinging Sixties have rarely if ever swung as wildly and wackily as they do in the physical-comedy-packed screwball funfest that is the West End-to-Broadway smash One Man, Two Guvnors, A Noise Within’s couldn’t-be-more-fabulous 2025-2026 season opener.
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RENT


A talented bunch of Gen Zers make it crystal clear why Jonathan Larson’s Gen X musical Rent is still going strong at the Simi Valley Cultural Arts Center nearly thirty years after its Broadway debut.
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INTO THE WOODS


Wisteria Theater Company reimagines Stephen Sondheim and James Lapine’s Into The Woods as seen through the eyes of a child and the result is a production so sparklingly new, I felt almost as if I were experiencing the Broadway musical classic, one I’ve now seen in a whopping 24 productions, for the very first time.
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DRACULA THE MUSICAL


Vampire fans will find themselves in Transylvania Heaven at The Nocturne Theatre’s stunningly staged in-the-round revival of Dracula The Musical, now thrillifying audiences while treating them to some of the most spectacular vocals in town.
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SHUCKED


Corn is king in Brandy Clark, Shane McAnally, and Robert Horn’s Shucked, the most hee-haw-larious musical comedy Broadway has seen in years, and as tuneful and heart-filled and downright original as a feel-good musical can get.
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THE SEAGULL: MALIBU


Ellen Geer updates Anton Chekhov’s The Seagull from 1890s tsarist Russia to Malibu, California during the “It’s All About Me” 1970s, and the exhilarating result is The Seagull: Malibu, a romantic dramedy that’s both Chekhovian and Southern Californian, and a Summer Of 2025 treat no matter how you feel about Chekhov.
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ANTIGONE


Neil LaBute puts a 21st-century spin on French playwright Jean Anouilh’s 1944 adaptation of Sophocles’ classic Greek tragedy Antigone, itself a thinly veiled attack on the Nazi-allied Vichy government that controlled Paris during World War II, in the compelling, thought-provoking latest from City Garage.
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& JULIET


Romeo’s teenage bride gets a new lease on life in the West End-to-Broadway smash & Juliet, quite possibly the most hit-packed musical in Broadway history and one that now tops my list of favorite shows of the past ten years right up there with The Prom, Come From Away, and Dear Evan Hansen.
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