IF I NEEDED SOMEONE


Drunken hookups aren’t what they used to be, at least according to Neil LaBute in his undeniably provocative, bitingly funny, and potentially button-pushing World Premiere two-hander If I Needed Someone at Santa Monica’s City Garage Theatre.
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DISNEY THE LITTLE MERMAID


The volunteer performers lighting up the James Armstrong Theatre stage give the pros a run for their money in Torrance Theatre Company’s dazzlingly designed, imaginatively directed, and delightfully performed big-stage, live-orchestra production of Disney The Little Mermaid.
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COMPANY


Stephen Sondheim and George Furth’s legendary Company has come to the Hollywood Pantages in what just might be the most thrillingly reimagined revival in Broadway musical theater history.
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CLUE


Audiences craving a cure for the summertime blues need look no further than Clue, eighty minutes of nonstop whodunit hilarity presented Live On Stage at the Ahmanson.
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MERRILY WE ROLL ALONG


Inland Valley Repertory Theatre is back with an entertaining mid-sized revival of Stephen Sondheim and George Furth’s Merrily We Roll Along at the University of La Verne.
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CREVASSE


Adolph Hitler’s favorite filmmaker meets the man who made animated movie stars of Snow White, Pinocchio, and Bambi in Tom Jacobson‘s Crevasse, a fascinating, stunningly staged co-production of Son of Semele and The Victory Theatre Center.
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INTO THE WOODS


There’s something particularly magical about Knot Free Productions’ intimate revival of Into The Woods at the Greenway Court Theatre, and as someone who’s seen 22 different live productions of the Stephen Sondheim and James Lapine classic, I know what I’m talking about.
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SWEENEY TODD

Late 18th-century London is a living nightmare in Chance Theater’s Sweeney Todd: The Demon Barber of Fleet Street, and while the scaled-down revival’s pitch-black tone and bare-minimum number of players do not make it the best introduction to this Stephen Sondheim classic, there’s still a lot for Sondheim aficionados to applaud.
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