SOMEBODY TO LOVE


Four college besties set off on a decades-long journey through life at the Rubicon Theatre in Somebody To Love, a crowd-pleasing World Premiere jukebox musical that with some script tweaking could have legs on the regional theater circuit.
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AMERIKA OR, THE MAN WHO DISAPPEARED

Writer-director Dietrich Smith takes a young German immigrant on the journey of a lifetime in his stage adaptation of Franz Kafka’s Amerika or, The Man Who Disappeared, the year’s most exhilarating theatrical adventure ride.

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DEATH OF A SALESMAN

Geoff Elliott’s magnificent star turn as Willy Loman, nearly a dozen impeccable supporting performances, and inspired direction and design by an all-star A Noise Within team add up to as brilliant a revival of Death Of A Salesman as any Arthur Miller aficionado could ever hope to see.

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MONTY PYTHON’S SPAMALOT


Monty Python’s Spamalot is back, and the Hollywood Pantages has got it, guaranteeing L.A. audiences not only the wildest, wackiest, and winningest of musical comedy rides but a spectacular new scenic design and even more flashy dancing than the 2005 Broadway original.
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KIM’S CONVENIENCE


As hard as I fell for Kim’s Convenience when I streamed the Canadian sitcom on Netflix a couple of years back, I was unprepared for how head over heels I would be for its inspiration, Ins Choi’s 2011 feel-amazing stage gem now paying a visit to the Ahmanson.
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STEEL MAGNOLIAS


Six terrific actresses strut their comedic stuff as a sextet of Louisiana women whose delicate exteriors hide tough-as-steel cores in the Group Rep’s season-opening crowd-pleaser, Robert Harling’s Southern-fried charmer Steel Magnolias.
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GUILTY PLEASURES


Noël Coward meets Neil Simon in Ken Levine’s sexy new romcom romp Guilty Pleasures, now getting a laugh-packed West Coast Premiere at the LAX-adjacent Kentwood Players.
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JESUS CHRIST SUPERSTAR


The Nocturne Theatre reinvents Jesus Christ Superstar to thrilling effect by re-situating the famed rock opera in a dystopian version of the world we live in today, and that’s only the beginning.

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