COCK


A young man finds himself torn between two lovers, one male and one female, in Mike Bartlett’s provocative comedic four-hander Cock, one of the most impressively staged and performed productions I’ve seen at Hollywood Fringe since the festival was inaugurated back in 2010.
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THE LEGEND OF GEORGIA MCBRIDE


A soon-to-be legendary Florida Panhandle drag queen lights up the stage in International City Theatre’s supremely entertaining production of Matthew Lopez’s 2016 off-Broadway comedy smash The Legend Of Georgia McBride.
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ANDRÉ & DORINE


Not a single word needs to be spoken for Spain’s Kulunka Teatro to make theatrical magic with André & Dorine, now paying an all too brief visit to The Los Angeles Theatre Center in Downtown L.A.
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KING JAMES


Two young men forge a life-changing best-friendship thanks to their shared love of basketball (and more specifically of b-ball superstar LeBron James) in Rajiv Joseph’s heart-stopping brom-com King James, now bringing audiences to their feet at the Mark Taper Forum.
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COME FROM AWAY


The 2017 Broadway Tony winner Come From Away has returned to the Ahmanson Theatre for a two-week run, once again proving that heroism, humanity, and heart can triumph over terror. Not only that, but this supremely feel-good musical remains one of the best directed and most powerfully performed National Tours I’ve seen in many a year.
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KING OF THE YEES


Sierra Madre Playhouse is back in business with Lauren Yee’s affectionate, affecting, winningly amusing tribute to her Chinese-American dad in King Of The Yees.
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BELOVED


The Road Theatre Company’s three-shows-in-a-row return season goes from good to better to best of all with the World Premiere of Arthur Holden’s Beloved, a suspense-filled, twist-packed stunner that will leave you blown-away and breathless.
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GOD OF CARNAGE


Yasmina Reza’s God Of Carnage has returned to Los Angeles eleven years after it broke Ahmanson box office records, this time round at the Odyssey Theatre, an intimate setting that better suits Reza’s hilariously edgy comedy of manners (and lack thereof), terrifically performed by a crackerjack ensemble of four.
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