THE SECRET GARDEN, THE MUSICAL


The Secret Garden, The Musical, makes a triumphant holiday season return to Chance Theater in its fourth incarnation, the first to take advantage of the company’s expansive Cripe Stage, and the result is a gorgeously performed, gorgeously designed stunner.
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FREIGHT


Audiences are flocking to the Fountain Theatre and with good reason. J. Alphonse Nicholson’s tour-de-force star turn as a man with five lives in Howard L. Craft’s off-Broadway-to-L.A. hit Freight is the stuff awards are made for.
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THE HALF-LIGHT


Four emotionally scarred individuals get a second chance at happiness in Monica Wood’s The Half-Light, a Theatre 40 West Coast Premiere whose touching performances and message of hope make this heartstrings-tugger a bona fide audience-pleaser.
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METEOR SHOWER


Leave it to “a wild and crazy guy” like Steve Martin to write a wild and crazy play like Meteor Shower, the deliciously quirky, stealthily surreal hour-long gem now tickling audiences at San Pedro’s Little Fish Theatre.
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INSULTED. BELARUS


A nation’s failed efforts to unseat one of the world’s most reviled dictators comes to stunning, gut-punching life in City Garage Theatre’s English-language World Premiere of Andrei Kureichik’s Insulted. Belarus, an eye-opener to those like myself who knew little to nothing about recent events in Europe’s 13th largest country.
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A FAMILY BUSINESS


All hell breaks loose when a dating couple and two sets of parents get together for the first time in A Family Business, Matt Chait’s thoroughly entertaining follow-up to Bearings, which won the playwright a 2022-2023 Best Of The Year Scenie.
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BEAUTIFUL: THE CAROLE KING MUSICAL


“It’s Too Late” “So Far Away” “You’ve Got a Friend” “(You Make Me Feel Like A) Natural Woman” “I Feel The Earth Move” “Will You Love Me Tomorrow?”

If these six megahits don’t have you itching to spread the word about Beautiful: The Carole King Musical at La Mirada Theatre For The Performing Arts, then Sara Shepard’s star turn as the woman who wrote and performed some of the mid-20th century’s Greatest Hits most definitely will.
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MAMA MAMA CAN’T YOU SEE


Wars past and present merge into an uber-theatrical fever-dream mix of life-or-death drama and mesmerizing modern dance in Stan Mayer and Cecilia Fairchild’s Mama Mama Can’t You See, now blowing audience minds at Studio/Stage.
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