“MASTER HAROLD” … and the boys
Saturday, October 20th, 2007
The Colony Theatre Company’s last production, Trying, proved to be its biggest and
most critically acclaimed hit in years, and has scored an impressive 8 Ovation
nominations—in every category for which it was eligible. A decidedly tough act to
follow, but follow it they have, with a superb and supremely moving production of
Athol Fugard’s “Master Harold” … and the boys.
(read more)
TOM, DICK, AND HARRY
Friday, October 19th, 2007
Nobody writes farce better than the UK’s Ray Cooney, whose plays are a staple
of regional and community theaters across the U.S. His most recent comedy,
Tom, Dick and Harry (written with son Ray Cooney) is getting its West Coast
Premiere at International City Theatre in Long Beach, and thanks to Cooney’s
brand of nonstop mayhem, crackerjack direction by Todd Neilsen and a
sensational cast, this is a chance to see Cooney farce at its best.
(read more)
SPIN
Wednesday, October 17th, 2007
Maryland governor Ben Wiley’s approval rating is down to 32% following an
incident in which he “copped a quick feel” in his private office in the State house.
It was a setup, he tells gubernatorial advisor/“miracle worker” Billy Dodge. She was
wearing no bra and “they were hanging there like ripe fruit.” What was a
governor to do?
(read more)
DANGEROUS CORNER
Tuesday, October 16th, 2007
Theatre 40’s revival of Dangerous Corner, J.B. Priestley’s 1932 London and Broadway mystery thriller, is both a well realized period play, with attention paid to costumes, hair, and set design, and a surprisingly modern piece of theater with plot twists any contemporary playwright would be proud of. Fast paced, well acted and directed, and authentically designed to take the audience back seventy-five years, Dangerous Corner is a suspenseful and conversation-provoking treat.
(read more)
OKLAHOMA!
Sunday, October 14th, 2007
Of all the Rodgers and Hammerstein musical theater classics, their first and oldest collaboration, Oklahoma!, remains their most contemporary. To modem eyes, Carousel’s hero Billy Bigalow may be seen as an abusive husband. South Pacific’s Nellie is so shocked that Emile had married a (heaven forbid!) Polynesian woman and had children with her that she breaks off their relationship. And The King and I’s King (of Siam no less) needs to be “modernized” by a British schoolteacher. There is, however, nothing dated about either Oklahoma!’s characters or its story. Also, unlike the ever-popular Sound of Music, Oklahoma! has its dark side, not only in the character of Jud Frye, but also in Laurey’s conflicted and repressed longings. That’s not to say that the other R&H musicals are anything less than classics. It just that Oklahoma! better than any others has stood the test of time.
(read more)
LOST ANGELES
Saturday, October 13th, 2007
Lost Angeles is the best written, best acted new comedy I’ve seen this year.
Caroline Treadwell has created ten alternately irritating/lovable (i.e.
human) Generation Xers, put them in real life situations, and let the
audience be flies on the wall, watching these very real people experience
the joys and pains of falling in and out of love.
(read more)
JEKYLL & HYDE
Friday, October 12th, 2007
Fullerton Civic Light Opera ends its 2007 season on a high note with the
return engagement of their 2001 award-winner Jekyll & Hyde. Arguably the
most popular “musical thriller” in Broadway history (1523 performances), J&H
boasts a classic storyline (by Robert Lewis Stevenson), a highly hummable
score by Frank Wildhorn, two amazing roles for leading ladies (good girl/bad
girl), spectacle, murder, and above all one of the most challenging
acting/singing roles ever written for a musical theater leading man. FCLO’s
production has been directed with consummate professionalism by Ovation
winning Jan Duncan, with superb musical direction by 35-year FCLO vet Lee
Kreter, leading an orchestra that couldn’t be better.
(read more)
CANNED PEACHES IN SYRUP
Thursday, October 11th, 2007
Seeing a show at the Furious Theatre in Pasadena is a virtual guarantee of a
brilliantly acted and staged production. Dámaso Rodriguez and his furiously
fearless band of thespians invariably pick edgy and topical pieces of writing
which they bring to vivid life upstairs at the Pasadena Playhouse, and Canned
Peaches in Syrup is no exception. Set in the not so distant future, in a world
where food and water are so scarce that half the remaining inhabitants of our
planet have turned to cannibalism to survive, Canned Peaches is, as they say,
as topical as today’s headlines. It’s also an outrageously funny comedy, and a
love story a la Romeo and Juliet to boot.
(read more)
Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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