THE PAJAMA GAME


Director Steven Glaudini and his talented cast do everything right in Musical Theatre
West’s terrific new production of the 1953 Broadway smash The Pajama Game. The
recent Broadway revival with Harry Connick, Jr. sparked interest in this tuneful 50s
classic, and MTW’s production makes it clear why the show remains as fresh as ever in
2007.
(read more)

COME BACK TO THE FIVE & DIME JIMMY DEAN, JIMMY DEAN


In the tradition of Steel Magnolias and Crimes of the Heart comes the current 
offering at the Hermosa Beach Playhouse, Ed Graczyk’s down-home comedy 
Come Back to the Five & Dime, Jimmy Dean, Jimmy Dean. Like SM and COTH, 
CBTTF&DJDJD features a cast of feisty and fabulous Southern (in this case Texas) 
women, loads of laughs, and a surprise or two.
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SEVEN BRIDES FOR SEVEN BROTHERS


Cabrillo Music Theatre begins its 2007-8 season with a tunefully winning production of
Seven Brides for Seven Brothers.   7Brides47Bros is of course best known as the 1954
MGM musical classic, which starred Howard Keel as Adam, a mountain man in
search of a wife, and Jane Powell as Milly, who accepted his proposal not knowing
that there were six more manly men at the homestead. Debby Boone undertook
the role of Milly in the short lived (opened on Thursday, closed on Sunday) 1982
Broadway production, which has since become a regional theater favorite (recently
staged by Fullerton CLO).  Though perhaps not deserving of a loooooong Broadway
run, 7Brides47Bros is still a far more enjoyable experience than its brief Broadway stay
would indicate, and Cabrillo, blessed with about as fine a leading man and lady as
the show could boast and an ensemble more than up to the challenges of John
Charron’s Michael Kidd inspired choreography, has a winner on its hands.
(read more)

DOUBT


Doubt, by John Patrick Shanley, had the notable distinction of having its West
Coast Premiere at the Pasadena Playhouse take place simultaneously with its
Broadway debut in the spring of 2005.  I found the Playhouse production quite
thrilling, despite a shaky Linda Hunt in the role of Sister Aloysius, the same role
which won Cherry Jones the Tony. Last year at the Ahmanson, I got to see why
Jones had scored just about every award imaginable for her “force of nature”
performance. 
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CITY KID THE MUSICAL


City Kid The Musical is two hours of virtually non-stop singing and dancing, a music 
video come to life, featuring a tunefully accessible score and inventive 
choreography, performed by a sensational young cast and backed up by the best 
band in town.
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LOVE LIKE BLUE


In Act 1, three relationships break up.  In Act 2, the same six individuals begin anew,
but with different partners. A clever “why hasn’t that been done before?” premise,
skillfully executed in Kristen Lasarian’s world premiere play Love Like Blue.
(read more)

THE QUALITY OF LIFE


When I see a production as beautifully written, directed, and performed as The
Quality of Life, I thank my lucky stars that I live in Los Angeles (well, in
Alhambra, actually, but who’s splitting hairs?). Where else could I be treated
to internationally known film and TV vets like Scott Bakula, Dennis Boutsikaris,
Laurie Metcalf, and JoBeth Williams returning to their stage roots, an award-
winning writer/director like Jane Anderson with serious film/TV/stage credits,
and a design team as fine as the one assembled at the Geffen for this
production?
(read more)

ANON


Kate Robin’s provocative new play Anon begins as a light romantic comedy 
and soon develops into something a good deal more weighty. Trip (Blayne 
Weaver) and Allison (Kit Pongetti) meet cute when animal psychologist Allison 
makes a house call at Trip’s apartment because his cat (named Cat) has 
been peeing in all the wrong places. She advises him to talk to Cat, confide in 
her, buy her more toys, keep her litter box tidy (with a metal scooper), and by 
all means give her a less generic name.  Her $200 fee paid, Allison accepts Trip’
s impulsive invitation to dine with him (Chinese take-out) and the evening 
ends with a bout of passionate lovemaking.
(read more)

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