WELCOME HOME JENNY SUTTER


Jenny Sutter is the newest kind of wounded war vet—a female United States Marine who, just like her male counterparts did four decades ago upon returning home from an unpopular war in Southeast Asia, has no idea how she can possibly fit back into a “normal” life after the hell she experienced in Iraq.
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STARMITES


Here’s a trivia question for all you musical theater buffs out there. Name a Broadway musical (within the last quarter century) nominated for six Tony awards including Best Musical—that absolutely no one has heard of.
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LITTLE SHOP OF HORRORS


Audrey II, the “strange and interesting plant” that made his/her/its? first appearance way back in Roger Corman’s 1960 Z-movie classic, is back, newly arrived in Thousand Oaks for a two-week visit with much voracious munching on his/her/its cannibalistic mind—and you all know what that means. “They may offer you lots of cheap thrills, fancy condos in Beverly Hills, but whatever they offer you, don’t feed the plants!”
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THE MARVELOUS WONDERETTES


Quite possibly the biggest L.A. theater success story of past decade has been that of The Marvelous Wonderettes, Roger Bean’s wonderfully marvelous look back at the pop music of the 1950s and ‘60s as sung by a quartet of high school girls at their 1958 prom and their 1968 class reunion. From its original incarnation (a 45-minute workshop in Milwaukee) to its two-year run at North Hollywood’s El Portal Theatre to its successful off-Broadway engagement, The Marvelous Wonderettes has truly conquered the American musical theater world.
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DREAMGIRLS


Dreamgirls is back, bigger, brighter, bolder, and more dazzling than ever. In fact, the National Tour which has just begun a two-week run at Costa Mesa’s Orange County Performing Arts Center is one of the most visually spectacular and spectacularly performed touring productions ever.  In many ways, it’s in a class all by itself.
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BUDDY—THE BUDDY HOLLY STORY


February 3, 1959 will forever be known in the world of Rock & Roll as “the day the music died,” for it was on that date that 22-year-old Buddy Holly lost his life in a plane crash just five miles from Clear Lake, Iowa’s Surf Ballroom, the site of the pop star’s final concert.  
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SEE WHAT I WANNA SEE


Michael John LaChiusa’s See What I Wanna See is not your grandmother’s musical. There’s no star-struck romantic couple.  There are no melodic love songs. There’s not a single dance number. No chorus line.  No strings in the orchestra. And not a happy ending in sight.
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THE BOYS IN THE BAND


“You’re a sad and pathetic man. You’re a homosexual and you don’t want to be, but there’s nothing you can do to change it.” Thus speaks birthday boy Harold to his party host Michael in Mart Crowley’s 1968 off-Broadway hit The Boys In The Band, to which Michael later replies, his voice laced with bitterness, “Show me a happy homosexual, and I’ll show you a gay corpse.”
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