SEE WHAT I WANNA SEE


Michael John LaChiusa’s See What I Wanna See is not your grandmother’s musical. There’s no star-struck romantic couple.  There are no melodic love songs. There’s not a single dance number. No chorus line.  No strings in the orchestra. And not a happy ending in sight.
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THE BOYS IN THE BAND


“You’re a sad and pathetic man. You’re a homosexual and you don’t want to be, but there’s nothing you can do to change it.” Thus speaks birthday boy Harold to his party host Michael in Mart Crowley’s 1968 off-Broadway hit The Boys In The Band, to which Michael later replies, his voice laced with bitterness, “Show me a happy homosexual, and I’ll show you a gay corpse.”
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SQUABBLES


Every so often one comes across a little-known play that turns out to be a true theatrical gem.  Squabbles, by Marshall Karp, is one such comedic treat, and Los Angeles audiences can find out exactly why in a terrific new production now playing at Glendale Centre Theatre.
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DOCTOR CERBERUS


It’s the mid-1980s and Franklin Robertson is a “husky” 13-year-old geek with a passion for late night scary movies. If horror host Doctor Cerberus is on the air, you can be sure that young Franklin will be in front of his TV set, enraptured.  Tonight, the Transylvanian-accented Doctor (“with a Ph.D in Fear”) is screening “an American classic in the tradition of Citizen Kane and Gone With The Wind,” 1984’s Firestarter, starring Drew Barrymore and George C. Scott “just before he fired his agent.”
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ACTING: THE FIRST SIX LESSONS


There’s an old black-and-white fan magazine snapshot of TV star Lloyd Bridges and his then teenage son Beau circa Sea Hunt. In the shot, Bridges Sr. and Bridges Jr. are reading a copy of Richard Boleslavsky’s 1933 guide to Acting: The First Six Lessons. Now, some fifty or so years later, 68-year-old Beau and his 23-year-old daughter Emily are staging Boleslavky’s classic text at Theatre West, and the result is an often enthralling and edifying hour and a half of theater, brought to life by a multi-award-winning actor at the peak of his gifts and a exciting young actress just beginning her journey.
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LASCIVIOUS SOMETHING


Liza is August’s Lascivious Something in Sheila Callaghan’s provocative, adventurous, stimulating, surprising new play of the same name.  Better put, she was his lascivious something back in the 1960s when the two were fighting the good fight against the Vietnam War and all things rigid, boring, and traditional.
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THE DRAWER BOY


In the early 1970s, a group of Canadian actors traveled to rural South Ontario to interview local farmers and their families about their lives, and the result was a theatrical event called The Farm Show. Twenty-five years later, one of those actors, Michael Healey, wrote a play about what this experience had meant to him. His resulting 1999 dramedy The Drawer Boy has since become a regional theater favorite, and the nigh-on perfect production now playing at Beverly Hills’ Theatre 40 makes it clear just why The Drawer Boy has tickled so many fancies and touched so many hearts.
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HAIRSPRAY


It’s been five years since Hairspray has been anywhere near L.A., so the arrival of the long-running National Tour at Costa Mesa’s Orange County Performing Arts Center is exciting news indeed.  This fabulous touring production features lead and supporting actors who create memorable characters and a team of young triple-threats who sing and dance Marc Shaiman and Scott Wittman’s tuneful songs to deserved audience cheers.
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